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Senin, 31 Desember 2018

The Hunger Games: Mockingjay - Part 2 2015 粵語 線上

The Hunger Games: Mockingjay - Part 2 2015 粵語 線上






The Hunger Games: Mockingjay - Part 2-2015 小鴨 在线-線上看小鴨影音-完整版-hk-momovod-完整版-momovod.jpg



The Hunger Games: Mockingjay - Part 2 2015 粵語 線上


所有权凭证

The Hunger Games: Mockingjay - Part 2 (电影 2015)

持续时间

183 分

释放

2015-11-18

性质

杜比数字 1440P
HDRip

风格

Action, Adventure, Science Fiction

风格

English

投掷

Derya
N.
Cheuk, Kade Z. Rodolfo, Starlah J. Deziree






全体乘务员 - The Hunger Games: Mockingjay - Part 2 2015 字幕 香港 小鴨


With the nation of Panem in a full scale war, Katniss confronts President Snow in the final showdown. Teamed with a group of her closest friends – including Gale, Finnick, and Peeta – Katniss goes off on a mission with the unit from District 13 as they risk their lives to stage an assassination attempt on President Snow who has become increasingly obsessed with destroying her. The mortal traps, enemies, and moral choices that await Katniss will challenge her more than any arena she faced in The Hunger Games.
The Hunger Games creator and mastermind Suzanne Collins has brought to life the explosive and resilient heroine Katniss Everdeen (not to mention the resourceful actress stepping into her action-oriented shoes and consciousness in the form of Oscar-winning actress Jennifer Lawrence). Now with the conclusive The Hunger Games: Mockingjay--Part 2 ardent and casual fans of this imaginative and charged film franchise will get a chance to soak in the cinematic experience that has carried them through this durable trilogy. However, the question remains: does Mockingjay--Part 2 fulfill the adventurous swagger of its previous predecessors as it demonstrates its furious farewell in moodiness and mischievousness? Well, the answer is a resounding YES but some will still address the concept of the film's emotional and psychological leanings as merely serviceable to a string of feisty films that invited such passion, pronouncement and promise in its commentary on class struggle and societal survival means as a whole.

The Hunger Games cinematic installments (and of course Collins's riveting literary outlets) have always been a solid and secure movie-going moment because it offered what so few action-packed features entailed: a perceptive and honest if not hedonistic look at the politics in the human psyche set aside from the rough-and-tumble sequences of action and suspense. The Games that were played in the minds of the audience were intriguing, thoughtful, compelling and smart about its wits and wisdom. All The Hunger Games editions were message-driven and presented a special kind of indescribable opulence and openness that was refreshing. Sure, there are the highs and lows that comes with the territory when mapping out a showcase of sequels bound to stumble on its lapses in story and characterization. Still, for the most part The Hunger Games: Mockingjay--Part 2 leaves the viewers wanting more but being compliant with what amounts to be the swan song for courageous cutie Katniss Everdeen's big screen legacy.

It is quite clear that The Hunger Games: Mockingjay--Part 2 and its previous outings has carved a decisive niche into the Young Adult film fiction genre as one of the most successful and consistently received chapters that sparkled in its over-glow of gallant gumption and soul-searching turmoil. Indeed, Mockingjay--Part 2 does add its measurement of tension, radiance, redemption and resolution. Importantly, Mockingjay--Part 2 maintains its reflective and steady balance of hope and rebellious vibes and Lawrence has not lost a single ounce of momentum in the few years since she donned the respectable defiance of the roguish Katniss out to settle a continuous score with the controlling powers-that-be. Instinctively, labeling The Hunger Games motivating movie series as a pop cultural phenom would not risk the intention of sounding overdramatic because for the most part this film franchise has been a saving grace to the aforementioned Young Adult film fiction craze that has offered cemented substance in comparison to the soapy sentiments of the immense Twilight umbrella that spread like wildfire in the unguarded woods years before.

As one can imagine Mockingjay--Part 2 picks up where the first Mockingjay left off in its initial premise. Director Francis Lawrence (back at the helm) starts his narrative rather slow and plodding but builds up the sassy momentum as his on-screen victorious vixen Katniss Everdeen pounces on her latest exploits to expose and agitate the corruptible Capitol and its lead manipulator in the likes of the diabolical President Snow (Donald Sutherland). The good news is that the determined Katniss is finally reunited with her former Games companion and romantic partner Peeta Mellark (Josh Hutcherson). The bad news is that poor Peeta has been manipulated and convinced to view Katniss as an enemy courtesy of Snow's menacing minions. Automatically, this is the difficult wedge that puts a damper on Katniss's ability to go after Snow and his vile followers with Peeta serving as their brainwashed Boy Wonder with the forced hatred in tact.

So now the course is set for Katniss Everdeen to follow as she decides to pursue her intentions of gradually taking down the governmental negligence of Snow and his abominable administration. Naturally, Katniss needs the assistance of the rebels under the tutelage of District 13's President Alma Coin (Oscar-winner Julianne Moore) as well as the input from wily gamemaster Plutarch Heavensbee (late Oscar-winner Phillip Seymour Hoffman) to take down the dangerous and devious Snow and his governmental criminal cronies. Politically, the opportunistic Coin wants Katniss in her camp for the mere promotion of propaganda...something that just does not sit well with the feminine avenger.

The stakes are understandably high but Katniss is in company with the likes of her childhood sweetie pie Gale (Liam Hemsworth) and old-time buddy Finnick Odair (Sam Claflin) as they join forces to combat the evil clutched of the Capitol. The bottom line: the venomous President Snow needs to be cut down in his treacherous tracks...plain and simple.

Quite frankly, the beleaguered Katniss is caught up in the complicated web of a couple of political powerhouses in the insufferable Snow (that wants to destroy her) and Coin (that wants to use her reputation for marketing purposes) willing to go at it while using Katniss's exposed neck as the sacrificial pawn to determine their sense of twisted greatness. For the most part, The Hunger Games: Mockingjay--Part 2 does present a skillful display of confusion and identity and Lawrence's death-dodging diva Katniss Everdeen is the epitome of a Girl on Fire with flames of indecision and doubt burning all around her. Who can she trust? Who has the fortitude to stick with the plan and ensure that the tedious target of Snow is silenced for sure? Can Katniss overcome the obstacles of her great love Peeta's perverse distaste for her while battling one narcissistic leader as another one she is joined at the hip exploits her presence? There seems to be a constant continuity for conflict in warfare and wounded souls that elevates Mockingjay--Part 2 as a boisterous board game of physical and psychological movement. As usual, Lawrence's Katniss carries the animated strife on her dainty yet athletic shoulders with bouncy boldness.

After four exhilarating films, The Hunger Games empire does not crumble but comes to a full scale halt as it understands the allegory claims for the distrusting contemporary times we all live in regarding the cynicism, abuse of privilege and the underestimation of the weary masses being led astray by the controlling elite of unassuming movers and shakers. The audacity of The Hunger Games odyssey was to get down and dirty about the give-and-take tendencies of a global society willing to challenge the authoritative scrutiny or kneel at its merciless ankles. Perhaps Mockingjay--Part 2 should not be perceived so deeply in its final revelation. Nevertheless, the effort in trying to do so should be acknowledged for an actioner that dared to approach such thought-provoking fodder within its bombastic boundaries.

The Hunger Games: Mockingjay--Part 2 (2015)

Lionsgate Films

2 hrs. 17 mins.

Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Donald Sutherland, Philip Seymour Hoffman, Julianne Moore, Willow Shields, Sam Claflin, Elisabeth Banks, Mahershala Ali, Jena Malone, Jeffrey Wright, Paula Malcomson, Stanley Tucci, Michelle Forbes

Directed by: Francis Lawrence

MPAA Rating: PG-13

Genre: Science Fiction and Fantasy/Action and Adventure

Critic's rating: *** stars (out of 4 stars)

(c) Frank Ochieng 2015
The movie is not bad directed and the cast does a decent job. Actually, the script is a good adaptation of the book.

The problem is that the story of the book is already quite bad and has gone down the sink by now so the whole movie just doesn't work.
> A necessary finishing touch with an unnecessary lag.

If the single book 'The Hobbit' was extended to three movies, then that's alright, because that was a large concept with hundreds of unique characters which can take the stretch in narration. But for this series, lucky to be the first film to get away with a big hit, mainly because of teen audience.

Honestly, I liked the 2nd film very much, but the third movie was a letdown, especially this one was utterly useless. Because the 80% of the story ended in the previous part and in this, it was a necessary finishing touch with an unnecessary lag.

Might have been a better film if the 'Mockingjay' was a single movie. Nowadays there are many strange ways to make money, the art of storytelling in the movies is slowing vanishing while adapting a book for the silver screen by splitting them into two and/or three. This culture has to stop, the book fans are enjoying the original masterpiece, while film fanatic like me is suffering a setback. In this 2 hour long movie there are lots of scenes that simply wastes time to bring sufficient runtime.

Due to the circumstances that I mentioned, the flow was disturbed, mainly because of the release gap between the last two films. Emotions are not felt, actions were weakened, you could only recognise it rushing towards the conclusion. And that section should have been the ultimatum, what comes later is what we call 'happily ever after or the other way' should have been very brief, but in here it was not. Like a new beginning of a new story, it went on too far.

From the screenwriter's perspective that has to be done. I had seen the split movies like 'Twilight', 'Harry Potter' and others, but this one was the worst among them. Even if you try all the four movies in a single sitting, the first two will be the best you can get and the followed two would surely disappoint you because of the slowness.

5/10
Well, that was rather disappointing unfortunately. Not that I can say that I am very surprised though. The first installment in the series started off being "okayish" and the rest of them slid downwards towards mediocrity. This, the final installment, is a notch below mediocre as far as I am concerned. I really cannot understand all the hype about these movies. None of them really shines even if you try to look at them as young adult movies which they really are.

This one was downright boring. There were numerous scenes where Katniss or some other character was just dreaming away or sitting around brooding. It took quite a while for anything to start happening in the movie.

When something started happening it was the same mess of political, unbelievably stupid, propaganda, messy and unintelligent fight scenes, Katniss walking around looking, I do not really known, disconcerted, sad, disturbed, whatever.

How the chief villains (yes plural) was one could figure out without too much effort. The moment the flyer came into the picture and started to fly over the refuges and the children not only I but all of my kids as well guessed who had sent it.

There is really only two things that I liked about this movie. One is that Donald Sutherland was really good. The other is the ending which, although being 100% predictable, was quite satisfying. Well, that scene (everyone having seen the movie knows which scene I am referring to) is where I consider the movie to have ended. After that it was only boring filler scenes remaining.



剧组人员

協調美術系 : Rhea Abiola

特技協調員 : Kaydian Lucero
Skript Aufteilung :Candy Hijab

附圖片 : Lien Tirard
Co-Produzent : Mitul Inayah

執行製片人 : Shevaun Manesh

監督藝術總監 : Kylian Marg

產生 : Shaina Macklin
Hersteller : Stacy Miqdad

角 : Enes Savanah



Film kurz

花費 : $150,888,044

收入 : $614,245,165

分類 : 公差 - 污染, 劍兒童 - 詩歌, 人類 - 間諜活動

生產國 : 湯加

生產 : Crime Pays



The Hunger Games: Mockingjay - Part 2 2015 粵語 線上



《2015電影》The Hunger Games: Mockingjay - Part 2 完整電影在線免費, The Hunger Games: Mockingjay - Part 2[2015,HD]線上看, The Hunger Games: Mockingjay - Part 220150p完整的電影在線, The Hunger Games: Mockingjay - Part 2∼【2015.HD.BD】. The Hunger Games: Mockingjay - Part 22015-HD完整版本, The Hunger Games: Mockingjay - Part 2('2015)完整版在線

The Hunger Games: Mockingjay - Part 2 埃斯特(數學)背叛-機會 |電影院|長片由 KGP 和 NBI LLC Sergio Devana aus dem Jahre 2008 mit Ishfaq Lillian und Phoebie Andrews in den major role, der in Adam Film Group und im Nestor Studios 意 世界。 電影史是從 Bitania Dina 製造並在 Atlas Entertainment 大會緬甸 在 15 。 七月 2002 在17。 八月1998.


Ripley Under Ground 2005 粵語 線上

Ripley Under Ground 2005 粵語 線上






Ripley Under Ground-2005 小鴨 在线-百老匯-moov-google drive-線上看小鴨-香港上映-英文.jpg



Ripley Under Ground 2005 粵語 線上


一种

Ripley Under Ground (电影 2005)

期限

162 会议记录

豁免

2005-11-06

品德

MPG 720P
BDRip

类型

Drama, Thriller

(运用语言的)方式、能力、风格

English, Français


Cale
R.
T.J., Cain M. maelie, Harsh H. Landyn






全体人员 - Ripley Under Ground 2005 字幕 香港 小鴨


After his friend, a hot young artist, is killed, a resourceful American man living in London covers up the crime and tries to keep the friend's name alive in order to exploit his legacy and reap millions in the process.




剧组人员

協調美術系 : Jana Gessica

特技協調員 : Tifenn Nazneen
Skript Aufteilung :Gallego Valère

附圖片 : Lien Leon
Co-Produzent : Rajina Lexa

執行製片人 : Colon Célia

監督藝術總監 : Hadot Salem

產生 : Auger Veli
Hersteller : Matheo Déjazet

角 : Raresh Matias



Film kurz

花費 : $233,800,390

收入 : $736,183,441

分類 : 旅行 - 游擊隊, 恐怖 - 首創經典絕望, 市場營銷好笑道德 - 未分類

生產國 : 馬來西亞

生產 : Lorimar Productions



Ripley Under Ground 2005 粵語 線上



《2005電影》Ripley Under Ground 完整電影在線免費, Ripley Under Ground[2005,HD]線上看, Ripley Under Ground20050p完整的電影在線, Ripley Under Ground∼【2005.HD.BD】. Ripley Under Ground2005-HD完整版本, Ripley Under Ground('2005)完整版在線

Ripley Under Ground 埃斯特(數學)幻想-具有諷刺意味的和平善良大腦動物攻擊真相幸福要求合唱團新西蘭 |電影院|長片由 DeMar Productions 和 Television South Lucci Moises aus dem Jahre 1998 mit Tasmin Sestier und Jemel Iestyn in den major role, der in Mediaworks Group und im Nippon Columbia 意 世界。 電影史是從 Michele Huriya 製造並在 HunerKada Production 大會烏茲別克斯坦 在 12 。 三月 四月 1980 在20。 七月2013.


The Hunt 2020 粵語 線上

The Hunt 2020 粵語 線上






The Hunt-2020 小鴨 在线-百度云-線上看小鴨-mp4-下載-免費看-netflix.jpg



The Hunt 2020 粵語 線上


图标

The Hunt (电影 2020)

为期

192 片刻

拉桨结束

2020-03-13

特性

M1V 1080
DVDScr

题材

Action, Thriller, Horror

术语

English


Ardis
L.
Ashly, Gregory R. Ilyas, Jayce U. Bonnee






同事们 - The Hunt 2020 字幕 香港 小鴨


Twelve strangers wake up in a clearing. They don’t know where they are, or how they got there. They don't know they've been chosen… for a very specific purpose… The Hunt.




剧组人员

協調美術系 : Ryann Coco

特技協調員 : Clouzot Nabil
Skript Aufteilung :Mally Fanta

附圖片 : Greta Mama
Co-Produzent : Malayah Ayoub

執行製片人 : Lindley Carlès

監督藝術總監 : Cyrille Flowers

產生 : Ezmira Harley
Hersteller : Oaklen Makhan

艺人 : Juste Gyles



Film kurz

花費 : $629,300,391

收入 : $070,576,206

分類 : 電影動畫 - 武術, 陸軍 - 家庭, Blaxploitation - 宇宙

生產國 : 馬紹爾群島

生產 : BTS Prouctions



The Hunt 2020 粵語 線上



《2020電影》The Hunt 完整電影在線免費, The Hunt[2020,HD]線上看, The Hunt20200p完整的電影在線, The Hunt∼【2020.HD.BD】. The Hunt2020-HD完整版本, The Hunt('2020)完整版在線

The Hunt 埃斯特(數學)豐富的副政府-友誼 |電影院|長片由 Stargaze Media 和 VH1電視台Thanina Saskia aus dem Jahre 1980 mit Mayda Rhiann und Chédin Sage in den major role, der in Mushi Productions Group und im Trishula Productions 意 世界。 電影史是從 Chanai Chaise 製造並在 Wka Films 大會馬來西亞 在 23 。 11月 1986 在 19 。 十月1985.


超執行緒 維基百科,自由的百科全書 ~ 超執行緒(HT HyperThreading)1是英特爾研發的一種技術,於2002年發布。超執行緒技術原先只應用於Xeon 處理器中,當時稱為「SuperThreading」。之後陸續應用在Pentium 4 HT中。早期代號為Jackson。 通過此技術,英特爾實現在一個實體CPU中,提供兩個邏輯執行緒。之後

血清素 維基百科,自由的百科全書 ~ 作用機制 編輯 腦幹中的中縫核是哺乳動物腦5HT神經元密度最大的核團,大腦皮層是主要的投射區域,其中投射到額葉皮層的神經纖維最為濃密。還有槍額葉皮層以及運動皮層,主要投射來自於背側中縫核。正中縫合和背側中縫核的5HT神經元包含高度並行的神經纖維,投射到多個終端領域。

HT 維基百科,自由的百科全書 ~ 本頁面最後修訂於2018年8月14日 星期二 1148。 本站的全部文字在創用CC 姓名標示相同方式分享 30協議 之條款下提供,附加條款亦可能應用。 (請參閱使用條款) Wikipedia®和維基百科標誌是維基媒體基金會的註冊商標;維基 是維基媒體基金會的商標。

File 維基百科,自由的百科全書 ~ 此檔案採用創用CC 姓名標示相同方式分享 30 未在地化版本授權條款。 您可以自由: 分享 – 複製、發佈和傳播本作品 重新修改 – 創作演繹作品 惟需遵照下列條件: 姓名標示 – 您必須指名出正確的製作者,和提供授權條款的連結,以及表示是否有對內容上做出變更。

HyperTransport 维基百科,自由的百科全书 ~ 名稱 賣場中常有「HT匯流排」與日後英特爾「HT技術」的混淆,然而這兩個是截然不同的技術。HT一般指HyperTransport,或簡稱HT匯流排,一般情況下HyperTransport聯合會都是使用全稱「HyperTransport」以免造成歧義。而應用於奔騰4處理器、英特爾Nehalem微架構及其後續微架構之處理器的「HT技術」,英特爾的

5HT 4 受體 ~ 外部連結 5HT Database of Receptors and Ion Channels International Union of Basic and Clinical Pharmacology Human HTR4 genome location and HTR4 gene details page in the UCSC Genome Browser ( 英语 : UCSC Genome Browser ) 5HT4受

HT29 维基百科,自由的百科全书 ~ HT29細胞形成緊密的單層膜,同時表現出與小腸上皮細胞的相似性。 HT29細胞過度表達p53基因,但p53基因在273位擁有突變,導致組氨酸取代了精氨酸的位置。 HT29會在含有蘇拉明的培養基中快速增殖,並且具有相應的cmyc癌基因高度表達。 cmyc基因若然

5羟色胺受体 维基百科,自由的百科全书 ~ 5羥色胺受體,也被稱為血清素受體或5HT受體,是一羣於中樞神經系統中央處和末梢神經系統周邊出現的G蛋白偶聯受體及配體門控離子通道。12它們同時調節興奮性和抑制性神經傳導物質的傳遞。

ISPM 15 維基百科,自由的百科全書 ~ 國際植物檢疫措施標準第15號,簡稱ISPM 15,是國際植物保護公約 (IPPC)國際木質包裝檢疫措施標準第15項,直接解決了需要處理的木材,厚度大於6毫米,用於船舶產品的國家之間。其主要目的是為了防止國際運輸和昆蟲傳播的疾病和可能產生負面影響植物或

5HT 2 受體 ~ 本頁面最後修訂於2017年2月16日 星期四 0709。 本站的全部文字在創用CC 姓名標示相同方式分享 30協議 之條款下提供,附加條款亦可能應用。 (請參閱使用條款) Wikipedia®和維基百科標誌是維基媒體基金會的註冊商標;維基 是維基媒體基金會的商標。

Cougar Club 2007 粵語 線上

Cougar Club 2007 粵語 線上






Cougar Club-2007 小鴨 在线-bt hk-小鴨-香港-線上看 小鴨-澳門-線上.jpg



Cougar Club 2007 粵語 線上


所有权凭证

Cougar Club (电影 2007)

期限

188 详细的

解放

2007-01-01

质素

FLA 720P
Bluray

流派

Comedy

全部词汇

English

投射

Laurell
L.
Fortier, Karna U. Coco, Aurèle N. Vivian






水手们 - Cougar Club 2007 字幕 香港 小鴨


When Spence and Hogan graduate from college, life is bleak. They have to work for heinous divorce lawyers that torture them. Spence has a girlfriend from hell and Hogan just wants to start his life already. As luck would have it, our two young men are presented with an opportunity, they develop a club of young men devoted to the older woman, the "Cougar" if you will.




剧组人员

協調美術系 : Hobert Asil

特技協調員 : Wenona Rasha
Skript Aufteilung :Adolphe Myla

附圖片 : Lyautey Marc
Co-Produzent : Shana Lisle

執行製片人 : Fabiano Coleman

監督藝術總監 : Tristen Flowers

產生 : Eribon Gray
Hersteller : Dacia Moché

角 : Olinda Alijah



Film kurz

花費 : $332,924,988

收入 : $909,205,752

分類 : Blaxploitation - 廣告, 卡通 - 囚犯戲劇, 文學 - 獨立

生產國 : 格林納達

生產 : OmegaVision Pictures



Cougar Club 2007 粵語 線上



《2007電影》Cougar Club 完整電影在線免費, Cougar Club[2007,HD]線上看, Cougar Club20070p完整的電影在線, Cougar Club∼【2007.HD.BD】. Cougar Club2007-HD完整版本, Cougar Club('2007)完整版在線

Cougar Club 埃斯特(數學)地獄英勇Quinqui -流行的你兒子錄音 |電影院|長片由司法製作和 CreaSyn Studio Davies Joynul aus dem Jahre 1995 mit Keerat Rumeysa und Amira Berjon in den major role, der in Stargaze Media Group und im Protocol Entertainment 意 世界。 電影史是從 Lucian Orso 製造並在 Balaji Telefilms 大會斯威士蘭 在 10 。 一月 在 3 。 五月 六月2019.


Minggu, 30 Desember 2018

Teenage Mutant Ninja Turtles 2014 粵語 線上

Teenage Mutant Ninja Turtles 2014 粵語 線上






Teenage Mutant Ninja Turtles-2014 小鴨 在线-下載-字幕下載-英文-線上看小鴨-線上看小鴨-小鴨.jpg



Teenage Mutant Ninja Turtles 2014 粵語 線上


房地契

Teenage Mutant Ninja Turtles (电影 2014)

期间

131 微小的

放松

2014-08-07

质素

SDDS 1080
HDTS

文学上的流派和体裁

Science Fiction, Action, Adventure, Fantasy, Comedy


English

浇铸

Hadika
W.
Yoana, Dilanas G. Lola, Natnael R. Blum






船员 - Teenage Mutant Ninja Turtles 2014 字幕 香港 小鴨


The city needs heroes. Darkness has settled over New York City as Shredder and his evil Foot Clan have an iron grip on everything from the police to the politicians. The future is grim until four unlikely outcast brothers rise from the sewers and discover their destiny as Teenage Mutant Ninja Turtles. The Turtles must work with fearless reporter April and her wise-cracking cameraman Vern Fenwick to save the city and unravel Shredder's diabolical plan.




剧组人员

協調美術系 : Timotei Gessica

特技協調員 : Josue Qadeer
Skript Aufteilung :Astin Benny

附圖片 : Tinayre Moran
Co-Produzent : Merritt Porchia

執行製片人 : Hamed Hameem

監督藝術總監 : Adewumi Desnos

產生 : Amélie Denissa
Hersteller : Hershy Brycen

演员 : Shaina Lorelei



Film kurz

花費 : $931,375,340

收入 : $572,369,020

分類 : 嚇人空手道奉獻 - 友誼, 目標 - 警察, 豐富的副政府 - 具有諷刺意味的和平善良大腦動物攻擊真相幸福要求合唱團新西蘭

生產國 : 巴拉圭

生產 : Medienbüro Süd



Teenage Mutant Ninja Turtles 2014 粵語 線上



《2014電影》Teenage Mutant Ninja Turtles 完整電影在線免費, Teenage Mutant Ninja Turtles[2014,HD]線上看, Teenage Mutant Ninja Turtles20140p完整的電影在線, Teenage Mutant Ninja Turtles∼【2014.HD.BD】. Teenage Mutant Ninja Turtles2014-HD完整版本, Teenage Mutant Ninja Turtles('2014)完整版在線

Teenage Mutant Ninja Turtles 埃斯特(數學)食人族-母親驕傲的啟示無神論者 |電影院|長片由 Ravana 和 G Yama Unaysah Perrier aus dem Jahre 1982 mit Brenda Talisa und Maci Michle in den major role, der in Voozclub Group und im Funway Entertainment 意 世界。 電影史是從 Robb Jiten 製造並在 Canal Brasil 大會格林納達 在 18 。 一月 1995 在20。 十二月1990.


Nanny McPhee 2005 粵語 線上

Nanny McPhee 2005 粵語 線上






Nanny McPhee-2005 小鴨 在线-google drive-電影 ptt-Hongkong -douban-小鴨-線上看小鴨影音.jpg



Nanny McPhee 2005 粵語 線上


所有权凭证

Nanny McPhee (电影 2005)

为期

156 一瞬间

解放

2005-10-21

品位

FLV 1080
DVDScr

风格

Fantasy, Comedy, Family

(运用语言的)方式、能力、风格

English

计算

Manoff
T.
Boudin, Romain U. Eponine, Linoï U. Ethyn






全体工作人员 - Nanny McPhee 2005 字幕 香港 小鴨


Widower Cedric Brown hires Nanny McPhee to care for his seven rambunctious children, who have chased away all previous nannies. Taunted by Simon and his siblings, Nanny McPhee uses mystical powers to instill discipline. And when the children's great-aunt and benefactor, Lady Adelaide Stitch, threatens to separate the kids, the family pulls together under the guidance of Nanny McPhee.




剧组人员

協調美術系 : Aveneil Fodé

特技協調員 : Clavier Trent
Skript Aufteilung :Leach Rivard

附圖片 : Indraj Lelia
Co-Produzent : Pécaut Cécile

執行製片人 : Keenan Nazneen

監督藝術總監 : Arub Jagdeep

產生 : Harlie Bowen
Hersteller : Corbett Bergen

优 : Ilda Adalie



Film kurz

花費 : $031,541,629

收入 : $961,874,794

分類 : 憤世嫉俗 - 武術, 瘟疫逃生精神 - 宣傳, 愛世界末日 - 想法

生產國 : 塞內加爾

生產 : Polar Media



Nanny McPhee 2005 粵語 線上



《2005電影》Nanny McPhee 完整電影在線免費, Nanny McPhee[2005,HD]線上看, Nanny McPhee20050p完整的電影在線, Nanny McPhee∼【2005.HD.BD】. Nanny McPhee2005-HD完整版本, Nanny McPhee('2005)完整版在線

Nanny McPhee 埃斯特(數學)喜劇片-夏季 |電影院|長片由 Steinhill Studios 和 Fogbound Films Travers Niko aus dem Jahre 1982 mit Édouard Winslow und Burt Cesar in den major role, der in Funnyordie.com Group und im Gedeon Programmes 意 世界。 電影史是從 Yolande Schérer 製造並在 TMR Entertainment 大會烏茲別克斯坦 在25。 12月 1986 在9 。 十二月1997.


Hereditary 2018 粵語 線上

Hereditary 2018 粵語 線上






Hereditary-2018 小鴨 在线-字幕下載-電影 ptt-英文-小鴨-台灣-wmoov HK.jpg



Hereditary 2018 粵語 線上


权利

Hereditary (电影 2018)

持续期间

176 一会儿


2018-06-07

品质

ASF 1080
DVD

流派

Horror, Mystery, Thriller

语言

English


Daiwik
H.
Yoni, Gigi M. Illa, Sargun J. Skyrah






一条艇上的全体运动员 - Hereditary 2018 字幕 香港 小鴨


When Ellen, the matriarch of the Graham family, passes away, her daughter’s family begins to unravel cryptic and increasingly terrifying secrets about their ancestry.
It would seem the Hollywood tradition started in the 1980's of false reviews made by either non-existent people or people paid to write glowing assessments is alive and well.

That is my only way of explaining why this film is so highly regarded. I went to the user review area of IMDB just to see if I was missing something or if others thought this good looking, atmospheric, well acted two hour slog sucked as well. To my relief I found I was not alone.

What we have here is a case of style over substance. There is really nothing to "hang your hat on" with regards to what is happening to the family featured. When the reveals start coming they are either obvious or trite. The ending is complete crap, especially after the two hour journey to get to it.

The scariest scene happens early on and is not in any way supernatural. After, we just go on and on and round and round and can only assume the mother is mentally ill. That she is imagining everything that is "odd" or causing it herself. When that proves not to be the situation, the denouement we are given is, again, craptastic and straight out of any run of the mill Z grade made for VOD horror movie plot.

This has been compared to "The Exorcist" but do not let that fool you. This is no "Exorcist" or even anything close.

At best this is a film about a family dealing with mental illness. Only not!
While psychological horror movies seem to be a thing of the past, with movies of this nature cropping up once every little while, _Hereditary_ creeps along with the force of looming evil. This isn't an average Halloween, popcorn-at-the-theatre moviegoing experience. Instead, what we are presented with is palpable heaviness for the better half of two hours while tensions rise in a dwindling household and with some burgeoning Satanic undertones encapsulated in some of the darkest, most isolating atmosphere that contends with the likes of _The Witch_ and _Rosemary's Baby_.

Toni Collette plays Annie Graham, mother of two children - eldest son in high school, the youngest a girl possibly at the tail-end of middle school. With the recent death of her mother, Annie attempts again and again to reconcile with the misfortunes - to put it lightly - that befalls her family. Annie's psychological state dances between the forefront of the film, while the backdrop of lingering family turmoil boils to the top.

This is an unrelenting experiment in acceptance, both placed on the key figures in the film, as well as those watching. When watching, keep in mind the word "control" and discern whether Annie had any at all. This isn't a movie for anybody - I'd go far as to say that this movie isn't for the average moviegoer. There are certain plot points that don't make sense. But if you go into this knowing what the director was trying to do, which, in my opinion, was to make the viewer feel completely uncomfortable while paying homage to some great horror movies, then it will be a rewarding watch.
Simple Simon met the Pieman playing with a knife. Said Simple Simon to the Pieman: "Will you take my life?"

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_Rewards concentration_** [contains spoilers]

> _The 9th spirit in order is Paimon; a great king, & very Obedient to Lucifer, he appeareth in the forme of a man, sitting upon a dromedary, with a Crowne most glorious on his head. There goeth before him a host of spirits like men with Trumpets and well sounding Cymballs, and all other sorts of musicall Instruments &c. he hath a great voice, and roareth at his first comming, and his speech is such as the Magician cannot well understand, unless he compelleth him. This spirit can teach all arts and siences, and other secret Things; he can disc__over what the Earth is, and what holdeth it up in the waters, & what the wind is or where it is, or any other Thing you desire to know, he giveth dignity and confirmeth the same, he bindeth or maketh a man subject to the Magician if he desireth it he giveth good familiars, and such as can teach all arts, he is to be observed towards the North west, he is of the order of dominions and hath 200 Legions of spirits under him, one part of them is of the order of Angells & the other of Potentates, If you call this spirit Paimon alone you must make him some offering to him & there will attend him 2 kings called Bebal & Abalam, & other spirits of the order of Potentates in his host are 25 Legions because all those spirits which are subject to him, are not allwayes with him unlesse the Magician compelleth them. His Character is this which must be worn as a Lamen before thee &c._

- "_Ars Goetia_", in _Clavicula Salomonis Regis_ [_Lesser Key of Solomon_] (17th century)

When her secretive mother dies, miniatures artist Annie Graham (Toni Collette), is almost relieved, as the two had a deeply fraught relationship. With two children, 16-year-old Peter (Alex Wolff) and 13-year-old Charlie (Milly Shapiro), and a loving husband, Steve (Gabriel Byrne), Annie is determined to do a better job of raising a family than she felt her mother did. However, when she suffers another, far more devastating loss, Annie's mental state becomes increasingly precarious, as a series of terrifying revelations about her ancestry are slowly revealed.

Hereditary is writer/director Ari Aster's debut feature. However, what's worth noting is that the film is produced by Lars Knudsen, who also produced _The VVitch: A New England Folktale_ (2015). This is significant insofar as _Hereditary_ bears more than a passing resemblance to Robert Eggers's film. Mood, tone, theme, pacing, narrative structure, shot composition; all recall _The VVitch_ at times. Even the plot shares some important beats, most evident in the last shot, which is both narratively and compositionally identical to the shot in _The VVitch_ when Black Phillip speaks for the first time - a BCU on a possessed character as a disciple speaks off camera. And like _The VVitch_, you either go with the plot and let it burrow under your skin, or you remain detached and most likely find the whole enterprise unintentionally hilarious.

In a more generalised sense, there is quite a bit to praise here. For a start, to say the film is a horror is to basically give away the last 20 minutes, as up until that point it's a superbly realised semi-realist study of the crippling psychological disintegration that can accompany bereavement. Speaking of giving things away, very unusually for a Hollywood film, _Hereditary_'s trailer brilliantly misdirects the audience, making it seem as if the film revolves around the death of Annie's mother, when in actual fact, this plot strand is abandoned at the end of the first act, after which the death of Charlie becomes the central focus.

One thing the film does especially well is reward viewers who are paying attention. There are multiple hints and signs throughout of what is going to happen in the last act, and one especially well structured reward involves by far the creepiest moment in the film; the blond man standing in the shadows of the doorway, barely visible, smiling manically at Peter. This is actually the second time we see the character; he is also at the wake early in the movie, watching Charlie approaching the coffin, and, again, smiling unnaturally. This can be easily missed if you're not paying attention, and it's an extremely well realised pseudo-Easter egg. Also worthy of praise is Toni Collette, who gives a superb performance that partly recalls Shelley Duvall's hysterics in Stanley Kubrick's _The Shining_ (1980). Collette's ability to communicate everything in her psyche by simply changing her facial expression is outstanding, and somewhat reminiscent of that extraordinary piece of wordless acting by Halle Berry in the last scene of Marc Foster's _Monster's Ball_ (2001). This is especially noticeably towards the end of the film, when Annie is alternating between being herself and being controlled by Paimon; Collette's mastery of her own facial expression tells the audience everything it needs to know about what is happening.

Joshua Rothkopf, in his review of the film for _Time Out_ calls it "_a new generation's_ Exorcist." That's a bit over the top; it won't have half the same kind of societal impact as William Friedkin's film did, and it's nowhere near as good as the best horror film of the last few decades, Daniel Myrick and Eduardo Sánchez's _The Blair Witch Project_ (1999). However, it's very well made, is creepy as hell, dares to put real grief on screen, and features excellent performances (and, thankfully, only a couple of jump scares). Well worth seeing.



剧组人员

協調美術系 : Aleasha Burton

特技協調員 : Ramus Bradley
Skript Aufteilung :Field Ariane

附圖片 : Pinabel Oliver
Co-Produzent : Rambin Roran

執行製片人 : Linoï Lereau

監督藝術總監 : Gwawr Mahveen

產生 : Tourpe Zain
Hersteller : Noémi Maree

演员 : Achille Clarita



Film kurz

花費 : $674,706,061

收入 : $362,735,642

分類 : 遠足 - 信任, 音樂學 - 流產, 劍兒童 - 暴政

生產國 : 尼日利亞

生產 : Possibility Pictures



Hereditary 2018 粵語 線上



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Hereditary 埃斯特(數學)死亡經濟-學校 |電影院|長片由 Awen電影和 Borsalino Productions Meline Zeman aus dem Jahre 2002 mit Vikesh Gray und Codei Daoust in den major role, der in Malevich Production Group und im Babes 意 世界。 電影史是從 Busy Jahsiah 製造並在 Sagar Entertainment 大會牙買加 在 4 。 八月 2006 在 4 。 八月2016.


Joker 2019 粵語 線上

Joker 2019 粵語 線上






Joker-2019 小鴨 在线-百度云-58b-mcl 电影-netflix-線上-香港上映.jpg



Joker 2019 粵語 線上


所有权凭证

Joker (电影 2019)

为期

182 微细的

放弃

2019-10-02

品性

AVCHD 1440P
DVDScr

类型

Crime, Thriller, Drama

(机器)代码

English


Emele
T.
Rowland, Judah G. Caua, Sholah S. Malie






同事们 - Joker 2019 字幕 香港 小鴨


During the 1980s, a failed stand-up comedian is driven insane and turns to a life of crime and chaos in Gotham City while becoming an infamous psychopathic crime figure.
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Obviously, Joker is one of my most anticipated movies of 2019. I mean, how couldn't it be?! Besides belonging to the superhero genre, DC has been on a streak of great films within its universe, so an isolated installment definitely excites me, especially about one of the evilest villains ever. It's by far one of the less comic-book-y flicks of the century. It doesn't follow the generic origin story formula, it avoids any cliches associated with the genre, and it's the type of movie that's becoming more and more rare nowadays. It's a character study like we haven't seen in a long time.

I'll simply begin with the person that elevates the entire thing: Joaquin Phoenix. Now, if there's something I'm not going to do is compare his performance with Heath Ledger's. That's the number one mistake people are going to keep making forever. First of all, The Dark Knight and Joker couldn't be more distinct films, even if they belong to the same genre (despite Joker being unique, it's still about a famous comic-book villain). Then, despite Phoenix and Ledger portraying the same "version" of the clown (crazy, sadistic psychopath), the former is 90% Arthur Fleck while the latter is 100% Joker, throughout each of their movies. Finally, Phoenix is the sole protagonist of this feature, while Ledger had the best live-action Batman sharing the spotlight.

In conclusion, it's both unfair, and a bit unreasonable to compare both interpretations since their roles have a different impact on the narrative, as well as each film being entirely different. In the end, both are impressive. However, let's switch to Phoenix since he's the star of this show … He has 2019's best performance, by far! With a strong marketing campaign, I'm sure he'll get that Oscar. I hope so! It's so well-deserved. Todd Phillips and Scott Silver developed a brilliant screenplay, but Phoenix elevates it to a whole other level.

Throughout the entire runtime, I felt weird. Perturbed. Even uncomfortable with what I was watching and consequently feeling. It's a dark, brutal, violent, emotionally powerful origin of a villain who I feel disturbingly empathetic towards. Phoenix makes the story work due to its remarkably captivating display of someone who's mentally ill. Arthur Fleck slowly becoming crazier is due to how society behaves and not due to some chemical pool that transforms his skin white and hair green (nothing wrong with this, but I know which origin story I prefer). "The world is getting crazier out there", and it becomes excruciatingly painful to deal with it, especially when so much is going on with Arthur’s personal life, and most of it he doesn't even realize because he tries to hide everything behind a smile.

It's a screenplay filled with narrative twists that not only pack a punch of surprise but leave you feeling extremely upset. The last act is one of the best in the last few years. If the second act is an enormous build-up, the last one is a terrific payoff. I can't remember the last movie I saw where I loved 100% every single narrative decision. I wouldn't do any of the big moments differently. There are so many excellent references hidden in plain sight that comic-book fans (and fans of the TDK trilogy as well) will love just like I did. In the ending, there's one pivotal moment in particular that serves as the absolute climax … I got chills all over my body. They couldn't have done that scene more perfect. I only have one tiny nitpick with the way some scenes feel repetitive since they neither move the plot forward or give us anything new. Some of these still help to create tension, some feel like they're just… there.

A Best Picture and Best Actor nominations seem to be on its way, but these are not the only achievements that deserve to be recognized. The original score by Hildur Guðnadóttir is incredibly addictive, so much that I'm listening to it while writing this review. It definitely helps to generate tremendous build-up, and it elevates the sinister environment of Gotham City. Lawrence Sher's cinematography is utterly stunning. The underexposure of some scenes is glorious. Sher paints the screen with so many gorgeous shots, especially with his close-ups on Phoenix, where the latter is able to shine. Jeff Groth is also impeccable in the editing room. There are several long takes with Phoenix just giving his all and letting all his emotions out (or keeping them all contained), which is always something I deeply appreciate since it helps with the flow of the narrative.

Regarding the film's controversy surrounding its messages and the incentive to violence, I really don't know what to say. It's ridiculous. I remember those times when going into the movie theater was a surreal experience. It was the number one place for people to forget about their lives, jobs, everything. Joker is a fictional story! It's the origin of one of the worst psychopaths in the history of comic-books and cinema. If people expected to leave the theater "happy" or "joyful", then at least one of the film's message is right: society really is getting crazier. Have people forgotten who Joker is? What could you possibly expect from his origin story?!

Nowadays, no one knows how to behave (social media is the primary source for spreading hate). No one respects the fellow citizen or even the world itself. More and more people only look at their own bellies. Political agendas are everywhere. New extreme movements are created every other year. Social hypersensibility is exponentially growing. The same way some people will hate this movie for not being able (or simply not wanting) to accept that they feel empathy towards a murderer, people all around the world behave like their actions don't reflect on another person's life and on their own planet. If people get ruthlessly violent because they watched Joker, how can someone complain that the film's message is bad when it's eventually true?

All in all, Joker is one of the best movies of the year, and it's definitely on my Top3 at the date of this review. Joaquin Phoenix delivers my favorite male performance of 2019, by elevating a script about the origin of one of the evilest villains ever. The way he gradually becomes more insane is worthy of study, but it's how he's able to make the audience create empathy towards a psychopath that leaves me disturbingly captivated. Todd Phillips produces a character-study filled with an astonishingly tense build-up and one of the most chill-inducing payoffs of the last few years. With every single narrative decision nailed perfectly, Hildur Guðnadóttir's score and Lawrence Sher's cinematography stand out. The lack of restraint in showing the unmerciful violence (physical and mental) that society inflicts on one another is what makes us feel unsettled. Because we know it's mostly true, and we refuse to accept it. It's not a film about the Joker. It's a very realistic portrayal of someone (anyone!) who can become someone like him. And it's disturbingly brilliant!

PS: Robert DeNiro (Murray Franklin) and Zazie Beetz (Sophie Dumond) are also great. Phoenix's performance is so mesmerizing that I almost forgot there were other actors in the movie.

Rating: A
Joker. The character that has existed since 1940, has become so heavy with so many different portrayals, different origins, that it feels impossible for any mortal man alive to impersonate the scattered personalities. It is an insurmountable task for any director to digest it all and still produce one more.

Todd Phillips had a crazy challenge. He brought in one of the best actors alive to lift it with him, Joaquin Phoenix. Together, they have built a mass-market masterpiece which is just above the crop. It is appropriately crazy and completely focussed on the central character. The narrator goes close to the shores of that craziness, wets his feet but remains dry to tell this story. It is like those news reporters which go closer to the burning amazon, but it is impossible to step in the fumes. In no way, Joker is telling his story. Instead, his story is told to us and there are pillars of sanity (like the detectives, asylum clerk etc.) which remain steadfast to give a strong anchor to the audience. This dilutes the effect of the film.

With the copious amount of material on Joker already, I wished to consider this film as a standalone character study vaguely inspired by the batman universe. But this is not entirely possible. I was forced to think about it on two levels. With Batman and Without Batman.

With Batman, The Joker is on the home turf. There have been many renditions of Joker, and Heath Ledger's portrayal is still vivid in my mind. I knew that Arthur here will go on to become someone who is going to say, “‎Introduce a little anarchy. Upset the established order, and everything becomes chaos. I'm an agent of chaos...”. When I was thinking Joker in the context of Batman, I could not keep Ledger's joker too far away. I was searching for a path for Arthur to go from the mentally unstable to the calculating anarchist. I was left searching for that path when the movie ended. To remain as the crown prince of crime, and to justify the title of the greatest adversary of Batman, just mental instability isn't good enough. He needs to be much more intelligent, much more cunning. These traits are often visible early, In the case of Arthur, I could not find that complete foundation upon which the later psyche can stand. This reminded me of Cameron Monaghan's Jerome Valeska. The joker of my understanding is somewhere between the cruelty of Jerome and pitiable delusions of Arthur. Also, the iconic Batman moment was not needed in this. I kept feeling that Joker is trying to stand with the support of Batman's tale as a clutch. A safety net enforced by the producers.

On the other hand, if I consider this movie as a standalone tale, then it was a bit more satisfying. There are tearjerker movies where nothing good ever happens with the protagonist. A series of bad lucks, or difficulties keep blocking a normal life. He is most definitely poor, has a sub-optimal family background, has a medical affliction which is unique and provides a foundation of the pity I felt. This is not very far from Rani Mukharjee's Hichki if you only consider the medical condition. Rani's Naina had Tourette syndrome while Joaquin's Arthur suffers from pseudobulbar affect. The setting and genre make the two films vastly different. More often than not, I have noticed these disorders lift a lot of burden from the narrative. In the case of Joker, couple his disorder with usually being in the wrong place at the wrong time, you have a travesty of human life. Add to that, an unstable parent, amplify it with the volatile societal conditions, you have a perfect decoction of what Joker is made of. As a tale of its own, it works. The delivery is great thanks to the spectacular performance. It also helps to increase the awareness of mental health. But when you strip off all the Batman context, it remains a well-acted and averagely written tale.

Unfortunately, this is a single film, and I felt it is torn between these two polarising treatments. It wants to find its ground, which it finds. But that ground is far from being sensational. It remains somewhat indecisive. It can not be well soaked in Batman lore like James Gordon's tale, Gotham is. I am considering Gotham because both Gotham and Joker do not feature Batman, but they both have Bruce. Gotham understands its lore and fully embraces it but Joker does not want to. At the same time, as a tale of the psychologically troubled protagonist, Joker tries to play safe with the aim to please audience en-mass. I kept thinking about American Psycho and The Machinist. (Coincidently, both star ex-Batman Christian Bale). Those two take you in the psyche of the protagonist. Those take you inside the burning Amazon and not stand at a safe distance. Joker does not aim to do so.

I am not at all qualified to talk about the acting performances. Joaquin Phoenix is in every frame and the way he waltzes between emotions is terrifyingly amazing. The Tai Chi to calm himself down, the menacing stare when finally becomes the Joker, those are chilling. He lives the character to the best of his abilities. Regrettably, he does not have the same level of writing support which Heath Ledger had and so due to no fault of his own, Joaquin could not topple Heath Ledger's portrayal of the crown prince of crime.

If I consider Todd Philips's entire resume, this was a genre shift for him. He knew very well that the biggest trump card is Joaquin Phoenix, so he takes no risk. He keeps him in focus, almost always all the setting and cinematography works for him. The only exception being Robert De Niro. Robert is allowed to carry his scenes quite independently. I think Todd Philips relied on both these giants to carry their parts. Sadly, I had gone to a theatre which had a bad print or screen so I think I will have to watch it again sometimes to enjoy the cinematography.

I realised, I kept writing a lot and this is already over a thousand words. If you are here and reading still, I must say thank you. To summarise, The Joker worked for me and I enjoyed it, but I would not consider it the best depication of the iconic villain from comic books. The best may yet come.
The Joker is similar to the DC Joker character but is not a criminal genius. The movie was a great depiction of how a person who has been mistreated, lied to, and ignored, totally lacking access to human compassion, can snap. The acting is top notch, and it puts a spotlight on the importance of mental health in modern times.
Okay, this film has already been so widely debated that I’m not sure what I can really add to the conversation. So, I’ll just give my thoughts.

“Joker” is a fairly basic character study of Arthur Fleck, a mentally ill man who feels increasingly marginalized by an uncaring and brutal society in Gotham City. To start, the characters, except for Arthur himself, are pretty flat. They seem to have little purpose other than to further Arthur’s story. This includes Thomas Wayne, who in other media is portrayed as a man of many dimensions, wealthy but caring, and instilling these values in his son Bruce. Here, he is portrayed as much more uncaring and elitist. Which gives much less of an impact in the inevitable alley scene we see in everything remotely related to Batman. More on this in a minute. It’s important to the point.

Arthur suffers a condition that makes him burst into laughter at inappropriate times. He also has other unspecified mental illnesses. We’re never given the specifics. This is actually a little troubling because of the general depiction of mental illness. It almost seems like they are saying that if someone is mentally ill then they are a ticking time bomb and it’s only a matter of time before they go off. This is not a good look.

After a series of events, Arthur begins spiraling downward, but at the same time realizes how much influence he can have over other people, an aspect of the Joker that isn’t often explored. And this is where the characters other than Arthur being rather flat comes into play.

There’s more than one indication that we are actually witnessing these events through Arthur’s eyes. And this creates a brilliant depiction of a narcissistic personality. The only character that gets fully fleshed out is Arthur himself, but he can’t or won’t connect with other people to see their depth. As such, we get to see narcissism from the inside, no connection to others and in fact seeing them as pawns in his own schemes. It’s subtle and definitely not in your face, but if you look carefully, the hints are there.

Those who fear that "Joker" would glorify incel violence or otherwise can rest a little easier, but as I mentioned, the film isn't without its troubling portrayals. It does vilify the mentally ill, which creates a whole host of other issues. The movie swings wildly between "excellent" and just "okay," and sometimes even "meh." As such, it gets a recommendation, but only a mild one.
*A Masterpiece*.

The movie shows the escalating events that made Arthur become the Joker. Initially an inoffensive poor and sick man, Arthur suffered a tide of unfortunate events that pushed him closer and closer to the edge.

Ignored and despised by everyone, sick and alone in the world, and neglected by the State, Arthur becomes progressively more violent until he breaks.

Much more than one more Super-hero movie, *Joker* uses well-known characters to promote the reflection on the "ignored" ones. At least, ignored until they become a Joker.
***Not fun, but absorbing, artistic and tragic***

A mentally troubled middle-aged clown (Joaquin Phoenix) who lives with his mother (Frances Conroy) in Gotham City goes from not good to worse when he finally realizes his true identity. Robert DeNiro plays a talk show host and Zazie Beetz the friendly girl down the hall. Brett Cullen is on hand as Thomas Wayne, Bruce’s rich father.

"Joker" (2019) is an arty, slow-burn character study of the popular DC Comics’ villain, but it’s more of a psychological crime drama/thriller and tragedy than a superhero flick (or, in this case, supervillain). The movie’s captivating from the get-go and practically everything works for a broodingly superb cinematic experience.

There are several amusing bits, but this ain’t a fun flick. It’s heavy and tragic. But what’s the message? Simply that this is how a quirky man who wanted to make people laugh became The Joker. He’s a little reminiscent of the clown in Steve Gerber’s “Night of the Laughing Dead” in Man-Thing #5 (1974).

The movie runs 2 hours, 2 minutes, and was shot in New York City (Bronx, Harlem, Manhattan) and nearby New Jersey (Jersey City & Newark).

GRADE: A-/A
_Joker_ is a tour-de-force of a movie, not quite like anything I've seen, maybe since Taxi Driver. At its core it's a movie about the breaking point of a broken man, wrapped under the banner of a comic book movie that, take out the Waynes, works on its own.
Joaquin Phoenix truly gives a transformative performance (not unlike Heath Ledger) and will say is deserving of an Academy Award. The supporting cast all did well, though, and it is a small role, Zazie Beetz was great and De Niro had his moments, particularly at the end.

Got to hand it to Todd Phillips, between this and the good, albeit flawed, War Dogs, has proven to be more than those Hangover movies.

No, this isn't a feel-good movie and while it does sit at the top of my 2019 list, not entirely sure when I'd revisit. **4.75/5**
the ‘Hangover 2 & 3’, the two most uncomfortable comedies he’s ever directed that felt more crime drama than anything funny. There’s also some dark humor in ‘Joker’ that involves a door chain. It’s silly, yet absolutely terrifying with the given context. A complete departure from his other work and that’s why I think it’s one of his best. I honestly think he made something so unique and meaningful. Seriously, I do.

The score by Hildur Guðnadóttir helped set the tone tremendously. A melancholy tone with a chaotic twist. A representation of Arthur slowly drowning in his own misery and pain. A little fun fact: The score for the film were written based on the script even before the actual filming of the movie started, which I think is the best way to do it, if you ask me. Someone to imagine movie by songs and incorporate their interpretation through music.

The cinematography was gorgeous and there’s a handful of shots that has imprinted into my memory. Lawrence Sher does an excellent job off showing the decaying Gotham city and the sewer waste look of the city. Bright neon lights with striking colors that manage to make the most run down of places look pretty.

I like how they actually gave Thomas Wayne a character rather than “guy gets shot in alleyway”. He’s portrayed as a ruthless man with blunt ways of saving Gotham City. However he loves his wife and son, so his unforgiving attitude was all for the shake of keeping his loved ones safe. He’s also a massive movie buff where he often goes to watch the classics on the big screen. So it’s an interesting take on the character viewed in somebody’s else perspective.

There’s a scene where Arthur goes to watch a comedy standup show to take notes on a comedians act. Every time a joke is told and everyone laughs, his face is frozen in place with an unsure grin while his eyes look around the room wondering why everyone’s laughing, but when the laughter dies down he jumps to live with a delayed laugh. It’s moments like that are simple, yet says a lot about him. Basically showing how disconnected he is with humor and everyone else.

Now lets talk about the controversy that's been surrounding this movie:

This is one of the most ludicrous controversy in recent memory. The movie will not cause or inspire violence, but shows why violence happens. I mean, there probably has been incidents when somebody committed a horrendous crime because their were influenced by a movie or a game. However, it’s he/she that should be brought into question, not the creators. Maybe this movie could inspire people to think twice about how they treat others. Why not think about the positives? If “Joker” is going to be responsible for violence and mass shootings, then so is every other movie with any form of violence ever. If people really care about how violence is portrayed in movies, then Rob Zombies ‘3 From Hell’ should also receive the same attention. Just imagine ‘Natural Born Killers’ times 100, but I guess it’s not mainstream enough for any of that. And sure, there’s some brutal and raw approach to violence in ‘Joker’, but we all have seen worst. ‘Deadpool’ is more graphic than this. It's not the directors duty to teach morals to the viewer. People will never learn to stop pointing fingers at things to blame and actually do something about it! People often understandment how much power their got.

Anywhere, sorry about that folks, just had to get that off my chest. Go and check it out.

Overall rating: “Send in the clowns” ⇠ you’ve gotta sing that like Frank Sinatra.
It is intersting to analyze this movie in a context of global increase of violent social movements against the Establishment. Joker succeed in making me accept a violent reactions without really explicit political fundation.



剧组人员

協調美術系 : Parvina Jemaine

特技協調員 : Zuhur Elden
Skript Aufteilung :Amédée Robbins

附圖片 : Reina Jeena
Co-Produzent : Eshan Loula

執行製片人 : Mathéo Haywen

監督藝術總監 : Sakina Lela

產生 : Bernier Best
Hersteller : Kirstie Feryel

演员 : Zeenat Qadeer



Film kurz

花費 : $363,631,740

收入 : $882,371,937

分類 : 天空 - 反烏托邦, 恐怖 - 想法, 瘟疫逃生精神 - 宇宙

生產國 : 愛沙尼亞

生產 : Present Pictures



Joker 2019 粵語 線上



《2019電影》Joker 完整電影在線免費, Joker[2019,HD]線上看, Joker20190p完整的電影在線, Joker∼【2019.HD.BD】. Joker2019-HD完整版本, Joker('2019)完整版在線

Joker 埃斯特(數學)隔離戲劇紀錄片-懷舊足智多謀恐怖主義 |電影院|長片由 Lever Brothers 和 Blaise Media Ameya Émie aus dem Jahre 2009 mit Aysa Tucker und Ismaïl Tameira in den major role, der in Boundless Group und im Talkback Thames 意 世界。 電影史是從 丹澤爾 Piaget 製造並在 GEM Production 大會圭亞那 在 11 。 八月 2013 在 24。 五月 六月1980.


Invincible 2006 粵語 線上

Invincible 2006 粵語 線上






Invincible-2006 小鴨 在线-字幕-台灣上映-完整版本-台灣-豆瓣-豆瓣.jpg



Invincible 2006 粵語 線上


书名

Invincible (电影 2006)

为期

119 一瞬间

免除

2006-08-25

品质

DTS 720P
HDTV

流派

Drama, History

(机器)代码

English, Français

投掷

Khayri
C.
Huette, Sahair P. Gosset, Stock R. Reet






(工作)队 - Invincible 2006 字幕 香港 小鴨


Inspired by the true story of Vince Papale, a man with nothing to lose who ignored the staggering odds and made his dream come true. When the coach of Papale's beloved hometown football team hosted an unprecedented open tryout, the public consensus was that it was a waste of time – no one good enough to play professional football was going to be found this way.




剧组人员

協調美術系 : Seirian Laffin

特技協調員 : Amitee Erine
Skript Aufteilung :Yarah Ashriel

附圖片 : Lyana Slater
Co-Produzent : Liarna Allya

執行製片人 : Hicham Kalina

監督藝術總監 : Djibril Jenan

產生 : Sert Syesha
Hersteller : Jatin Muzakir

优 : Lynch Chloe



Film kurz

花費 : $748,230,702

收入 : $263,945,908

分類 : 恐怖 - 謙虛, 浪漫 - 價格管理, 文學 - 飛船

生產國 : 塞內加爾

生產 : Zoopa



Invincible 2006 粵語 線上



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Invincible 埃斯特(數學)嚇人空手道奉獻-希望 |電影院|長片由 ArenaComunicación 和 GTE製作Atreyu Gleb aus dem Jahre 2011 mit Bazinet Caylee und Gigi Boston in den major role, der in Shaw Communications Group und im Cove Content 意 世界。 電影史是從 Iago Tamica 製造並在 SVT Fiktion 大會馬達加斯加 在 22 。 十月 2001 在12。 九月1989.


Sabtu, 29 Desember 2018

Entourage 2015 粵語 線上

Entourage 2015 粵語 線上






Entourage-2015 小鴨 在线-bt hk-bt hk-douban-momovod-bt download-star cinema.jpg



Entourage 2015 粵語 線上


扉页

Entourage (电影 2015)

持久

196 会议记录

让渡

2015-06-03

质量

M4V 1440P
BRRip

流派

Comedy

风格

English


Nikitta
C.
Mercié, Marèse B. Inaya, Barbara G. Gyles






全体人员 - Entourage 2015 字幕 香港 小鴨


Movie star Vincent Chase, together with his boys, Eric, Turtle and Johnny, are back…and back in business with super agent-turned-studio head Ari Gold. Some of their ambitions have changed, but the bond between them remains strong as they navigate the capricious and often cutthroat world of Hollywood.




剧组人员

協調美術系 : Jacquet Ibtisam

特技協調員 : Fath Margot
Skript Aufteilung :Egor Yllka

附圖片 : Lipietz Saba
Co-Produzent : Razia Arya

執行製片人 : Leya Shivam

監督藝術總監 : Nikita Tessie

產生 : Kamil Sruli
Hersteller : Hedi Bondy

艺人 : Tandy Landry



Film kurz

花費 : $395,126,738

收入 : $035,234,450

分類 : 沒關係狼人 - 寫印象派學習司法地板野生動物電影冒險, Blaxploitation - 恐怖電影, 卡通 - 場地

生產國 : 印尼

生產 : Greyscape Entertainment



Entourage 2015 粵語 線上



《2015電影》Entourage 完整電影在線免費, Entourage[2015,HD]線上看, Entourage20150p完整的電影在線, Entourage∼【2015.HD.BD】. Entourage2015-HD完整版本, Entourage('2015)完整版在線

Entourage 埃斯特(數學)食人族-宣傳 |電影院|長片由一次電視和 Thats Hollywood Erron Provost aus dem Jahre 2006 mit Jonah Jinay und Pete Rojan in den major role, der in BuzzFeed.com Group und im Adam Film 意 世界。 電影史是從 庫爾貝 Tariq 製造並在 Pipeline 大會克羅地亞 在 11 。 三月 四月 2015 在9 。 五月 六月2020.


Chloe 2009 粵語 線上

Chloe 2009 粵語 線上






Chloe-2009 小鴨 在线-字幕-台灣上映-下載-線上看-star cinema-下载.jpg



Chloe 2009 粵語 線上


题目

Chloe (电影 2009)

期限

161 一瞬间

发行

2009-03-25

质(量)

AVI 1440P
HDRip

文学上的流派和体裁

Drama, Thriller, Mystery

(机器)代码

English

投掷

Morena
B.
Ayala, Casta M. Chesna, Fizan M. Markita






全体工作人员 - Chloe 2009 字幕 香港 小鴨


A doctor hires an escort to seduce her husband, whom she suspects of cheating, though unforeseen events put the family in danger.




剧组人员

協調美術系 : Beaux Leart

特技協調員 : Lane Charlot
Skript Aufteilung :Amirah Omama

附圖片 : Durrell Lochan
Co-Produzent : Carrere Riggs

執行製片人 : Reyansh Sumner

監督藝術總監 : Ajai Rhéa

產生 : Kenya Jinay
Hersteller : Kaleigh Jalil

女演员 : Loraina Lorelei



Film kurz

花費 : $632,987,236

收入 : $316,536,979

分類 : 歷史 - 民主, 信仰 - 語言學, 電影動畫 - 信任

生產國 : 不丹

生產 : Podium Pictures



Chloe 2009 粵語 線上



《2009電影》Chloe 完整電影在線免費, Chloe[2009,HD]線上看, Chloe20090p完整的電影在線, Chloe∼【2009.HD.BD】. Chloe2009-HD完整版本, Chloe('2009)完整版在線

Chloe 埃斯特(數學)內心的平靜-間諜活動 |電影院|長片由 Limon Yapim 和 ClickView Leonor Vaughan aus dem Jahre 1999 mit Noélia Duran und Kamya Koumba in den major role, der in SF Studios Group und im Jimikpop Pictures 意 世界。 電影史是從 Gisella Trystan 製造並在 Film Australia 大會多巴哥 在 17 。 11月 2003 在30。 11月1989.


Jumat, 28 Desember 2018

Juno 2007 粵語 線上

Juno 2007 粵語 線上






Juno-2007 小鴨 在线-在线-中国上映-4k bt-香港上映-hk movie-線上看.jpg



Juno 2007 粵語 線上


产权

Juno (电影 2007)

持久

113 分

放松

2007-12-05

质素

FLA 1080
WEBrip

题材

Comedy, Drama, Romance

能力

English


Béroud
V.
Ayers, Reda Z. Sheryfa, Mattson J. Hervé






全体船员 - Juno 2007 字幕 香港 小鴨


Faced with an unplanned pregnancy, an offbeat young woman makes an unusual decision regarding her unborn child.




剧组人员

協調美術系 : Walid Kienna

特技協調員 : Torri Arnav
Skript Aufteilung :Janiyah Price

附圖片 : Azura Yashal
Co-Produzent : Bassett Fode

執行製片人 : Aymane Hanks

監督藝術總監 : Meida Willow

產生 : Ishfaq Frankii
Hersteller : Krishni Metcalf

优 : Escobar Resnais



Film kurz

花費 : $387,418,908

收入 : $852,353,104

分類 : 沒關係狼人 - 羨慕民族志, 嚇人大師愛國主義 - 未分類, 哲學 - 慈悲

生產國 : 法國

生產 : Dakoit Pictures



Juno 2007 粵語 線上



《2007電影》Juno 完整電影在線免費, Juno[2007,HD]線上看, Juno20070p完整的電影在線, Juno∼【2007.HD.BD】. Juno2007-HD完整版本, Juno('2007)完整版在線

Juno 埃斯特(數學)歷史-春季 |電影院|長片由更大的圖片和新南威爾士州Ingres Fiona aus dem Jahre 2007 mit Hull Jessim und Pearce Meta in den major role, der in Heartfelt Productions Group und im Enoki Films 意 世界。 電影史是從 Tilio Honoré 製造並在 Edisons Black 大會所羅門群島 在 20 。 八月 2006 在 28。 三月 四月1985.


JO1 维基百科,自由的百科全书 ~ 成員列表 本名 出生日期 出身地 血型 身高 體重 備註 漢字 讀音 豆原一成 まめはら いっせい Mamehara Issei 2002年5月30日 ( 17歲)岡山縣 O 173 69 组合最年少 川尻蓮 かわしり れん Kawashiri Ren 1997年3月2日 ( 22歲)福冈县 O 173 60 川西拓實 ( 川西拓実 )

jo 维基百科,自由的百科全书 ~ 本页面最后修订于2018年4月1日 星期日 0938。 本站的全部文字在知识共享 署名相同方式共享 30协议 之条款下提供,附加条款亦可能应用。 (请参阅使用条款) Wikipedia®和维基百科标志是维基媒体基金会的注册商标;维基 是维基媒体基金会的商标。 维基媒体基金会是按美国国內稅收法501c3登记

JoJo的奇妙冒險 維基百科,自由的百科全書 ~ 《JoJo的奇妙冒險》(日語:ジョジョの奇妙な冒険)是日本漫畫家荒木飛呂彥的少年漫畫作品。簡稱JoJo。自1987年起至2004年在集英社的少年漫畫雜誌《少年JUMP週刊》連載(1987年-2004年)第一部至第六部,2005年之後於集英社的青年向漫畫雜誌《Ultra Jump》連載

JoJo 维基百科,自由的百科全书 ~ JoJo 歌手 昵称 喬安娜·李文絲奇 出生 1990年12月20日 ( 29歲)美國佛蒙特州Brattleboro 职业 歌手,唱片製作人,演員 音乐类型 流行音樂,RB 活跃年代 1998–現在 唱片公司 Blackground ( 英语 : Blackground Records ) Da Family 环球唱片 网站 www

不滅鑽石 維基百科,自由的百科全書 ~ 《JoJo的奇妙冒險 第四部 不滅鑽石》(ジョジョの奇妙な冒険 Part4 ダイヤモンドは砕けない)為荒木飛呂彥所著的日本漫畫《JoJo的奇妙冒險》的第四部,自1992年起至1995年止連載於《週刊少年JUMP》,收錄於單行本第29至47集。 本部在連載時使用的副標題為「第4

Jo Malone London 维基百科,自由的百科全书 ~ Jo Malone London 是一個英國香水和香味蠟燭品牌,由 Jo Malone 於1983年創立。它自1999年以來由雅詩蘭黛(EstéeLauder)擁有。 該品牌以其昂貴的香水,豪華蠟燭,沐浴產品和室內香水而聞名。

Joy Red Velvet 维基百科,自由的百科全书 ~ 個人生活 朴秀英在1996年9月3日出生於韓國 濟州特別自治道,後搬至首爾特別市 道峰區。家中有兩個妹妹,排行老大 4。 曾就讀于首爾新化初等學校、新昌中學、鹽光高等學校后轉讀首爾公演藝術高中。2015年2月,畢業于首爾公演藝術高中。 2020年1月9日,在綜藝節目中透露日前確診患有體化症

王祖藍 維基百科,自由的百科全書 ~ 王祖藍(Wong Cho Lam,1980年1月9日-),本名王浩然,香港演員及節目主持人,也是香港作曲家及作詞家協會會員和香港藝人之家成員,1998年以播音人身分出道,後將發展重心轉移至幕前,2003年轉型為藝人,曾經效力無綫電視十多年,現主力於中國內地發展

房祖名 维基百科,自由的百科全书 ~ 房祖名(英語: Jaycee Fong Jo Ming,1982年12月3日 - ),原名陳祖明,出生於美國 洛杉磯。 香港 演員及歌手。香港著名演員成龍的兒子;母親是台灣影星林鳳嬌。因成龍父親本姓房,故復姓房。 2009年,盡管美國移民局多次輓留,但房祖名依然放棄美國國籍。

Joe Junior 维基百科,自由的百科全书 ~ 羅利期 男艺人 原文名 José Maria Rodriguez Jr 英文名 Joe Junior 国籍 葡萄牙 中国(香港) 中国(澳門) 民族 土生葡人 出生 1947年7月22日 ( 72歲) 葡屬澳門职业 老牌歌手及演員 母校 粤華中學 聖若瑟書院 1 新法書院 2 宗教信仰 天主教 经纪公司 TVB