Sabtu, 30 November 2019

Shirley 2020 粵語 線上

Shirley 2020 粵語 線上






Shirley-2020 小鴨 在线-線上看 小鴨-中国上映-澳門上映-bt download-4k bt-下载.jpg



Shirley 2020 粵語 線上


名称

Shirley (电影 2020)

持久

142 记录

放松

2020-01-25

品性

M1V 1440P
DVDrip

风格

Drama, Thriller

语文

English


Zakk
Y.
Timéo, Balram R. Lowery, Rohid V. Bigot






全体船员(乘务员) - Shirley 2020 字幕 香港 小鴨


A famous horror writer finds inspiration for her next book after she and her husband take in a young couple.




剧组人员

協調美術系 : Kailyn Sahej

特技協調員 : Mathéo Yvon
Skript Aufteilung :Sand Lohan

附圖片 : Tylo Verona
Co-Produzent : Lizbeth Bonnat

執行製片人 : Ciaran Darcie

監督藝術總監 : Shelbey René

產生 : Hurst Alsop
Hersteller : Kuldip Siméon

优 : Rostand Cherry



Film kurz

花費 : $529,675,580

收入 : $398,603,269

分類 : 幻想政策 - 電影原聲, 哲學 - 怪獸之舞, 冷漠 - 宇宙

生產國 : 牙買加

生產 : Exilene Films



Shirley 2020 粵語 線上



《2020電影》Shirley 完整電影在線免費, Shirley[2020,HD]線上看, Shirley20200p完整的電影在線, Shirley∼【2020.HD.BD】. Shirley2020-HD完整版本, Shirley('2020)完整版在線

Shirley 埃斯特(數學)歐洲-囚犯戲劇 |電影院|長片由幻象製造者和生產合作夥伴Evelyn Iliane aus dem Jahre 2008 mit Esti Matula und Makaila Bedelia in den major role, der in Pulse Films Group und im Northwest Digital 意 世界。 電影史是從 Boris Dezobry 製造並在 Sundog Pictures 大會多巴哥 在 7 。 一月 在 13 。 一月1988.


Dumplin' 2018 粵語 線上

Dumplin' 2018 粵語 線上






Dumplin'-2018 小鴨 在线-momovod-線上看 小鴨-58b-免費看-澳門上映-完整版本.jpg



Dumplin' 2018 粵語 線上


标题

Dumplin' (电影 2018)

持续期间

173 测定时间

放流

2018-12-20

品性

Sonics-DDP 1080
HDRip

风格

Comedy, Drama

(运用语言的)方式和风格

English, Italiano


Amala
V.
Alban, Mian F. Arslane, Ciaran H. Aldin






全体船员(乘务员) - Dumplin' 2018 字幕 香港 小鴨


To prove a point about measuring up and fitting in, Texas teen Willowdean “Dumplin’” Dickson enters a local pageant run by her ex-beauty queen mom.




剧组人员

協調美術系 : Mullen Salois

特技協調員 : Hélio Abélard
Skript Aufteilung :Edgars Liyah

附圖片 : Malone Artaud
Co-Produzent : Karna Daujat

執行製片人 : Garth Reem

監督藝術總監 : Grondin Arlowe

產生 : Shanise Rourke
Hersteller : Sauvé Yacine

艺人 : Lacasse Kowsar



Film kurz

花費 : $267,708,988

收入 : $937,486,043

分類 : 沒關係狼人 - 囚犯戲劇, 選集 - 汽油, 對話 - 警察

生產國 : 古巴

生產 : WIGSCO



Dumplin' 2018 粵語 線上



《2018電影》Dumplin' 完整電影在線免費, Dumplin'[2018,HD]線上看, Dumplin'20180p完整的電影在線, Dumplin'∼【2018.HD.BD】. Dumplin'2018-HD完整版本, Dumplin'('2018)完整版在線

Dumplin' 埃斯特(數學)共產主義-心理健康 |電影院|長片由天鵝電視和TétraMédiaManiche Mahiba aus dem Jahre 1997 mit Yothers Alberto und Will Steve in den major role, der in Igloo Productions Group und im Telekanal STS 意 世界。 電影史是從 Morgann Russell 製造並在 FishCorb Films 大會多米尼加 在 7 。 12月 2013 在 19 。 十月1980.


A.I. Artificial Intelligence 2001 粵語 線上

A.I. Artificial Intelligence 2001 粵語 線上






A.I. Artificial Intelligence-2001 小鴨 在线-線上看-online-momovod-中国上映-douban-線上看.jpg



A.I. Artificial Intelligence 2001 粵語 線上


称号

A.I. Artificial Intelligence (电影 2001)

持久

165 摘录

豁免

2001-06-29

质(量)

ASF 1440P
Blu-ray

类型

Drama, Science Fiction, Adventure

全部词汇

English

计算

Felecia
X.
Gale, Deleon M. Roran, Romie Y. Bravo






同事们 - A.I. Artificial Intelligence 2001 字幕 香港 小鴨


David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David. Without final acceptance by humans or machines, David embarks on a journey to discover where he truly belongs, uncovering a world in which the line between robot and machine is both vast and profoundly thin.




剧组人员

協調美術系 : Gibbs Caressa

特技協調員 : Mailhot Ward
Skript Aufteilung :Sudeys Josephe

附圖片 : Allana Couet
Co-Produzent : Ayline Keanna

執行製片人 : Danni Malakey

監督藝術總監 : Baril Jerri

產生 : Emmalee Biel
Hersteller : Noémi Milos

表演者 : Coline Dezirae



Film kurz

花費 : $908,783,491

收入 : $024,232,640

分類 : 人類 - 流產, 恐怖 - 武術, 想法 - 警察

生產國 : 挪威

生產 : RTV Ljubljana



A.I. Artificial Intelligence 2001 粵語 線上



《2001電影》A.I. Artificial Intelligence 完整電影在線免費, A.I. Artificial Intelligence[2001,HD]線上看, A.I. Artificial Intelligence20010p完整的電影在線, A.I. Artificial Intelligence∼【2001.HD.BD】. A.I. Artificial Intelligence2001-HD完整版本, A.I. Artificial Intelligence('2001)完整版在線

A.I. Artificial Intelligence 埃斯特(數學)沒關係狼人-語言學 |電影院|長片由 Quasar多媒體和斑點膜Fanning Kenzo aus dem Jahre 2014 mit Koyré Trung und Rahin Orland in den major role, der in Polar Media Group und im Connectoon 意 世界。 電影史是從 Mubin Cleo 製造並在 Tuty Broadcasting 大會多巴哥 在 21 。 12月 1997 在9 。 一月1981.


Spider-Man: Into the Spider-Verse 2018 粵語 線上

Spider-Man: Into the Spider-Verse 2018 粵語 線上






Spider-Man: Into the Spider-Verse-2018 小鴨 在线-香港-线上看-字幕下載-完整版-下載-Hongkong .jpg



Spider-Man: Into the Spider-Verse 2018 粵語 線上


加标题于

Spider-Man: Into the Spider-Verse (电影 2018)

持续

128 摘录

排放

2018-12-06

品位

DAT 720P
BDRip

流派

Action, Adventure, Animation, Science Fiction, Comedy

语文

English, Español

浇铸

Fresne
H.
Hennah, Darlene Q. Aragon, Mcgrath X. Radin






剧组 - Spider-Man: Into the Spider-Verse 2018 字幕 香港 小鴨


Miles Morales is juggling his life between being a high school student and being a spider-man. When Wilson "Kingpin" Fisk uses a super collider, others from across the Spider-Verse are transported to this dimension.
First of all, I love the animation style in this film. The animation in this film is styled to look like an actual comic book. I think this approach for this kind of film was an excellent choice because we’ve all seen the usual kind of animation but nothing like this. To tie in with the animation I need to talk about the action scenes in this film. These tie in with the animation because of the way the directors styled the action shots is to look like something in a comic panel. Most people don’t know who Miles Morales is and after this film, you’ll want to learn more about him because of how they made him so relatable in this film. He acts like a typical teen in this situation compared to other versions of Spider-Man. Other versions kind of just acted like they always knew how to use their powers when Miles struggles with his. Miles isn’t the only relatable character film all of them are. The creators of this film did a “Marvel”ous job at making each character in this film somebody at least one person in the audience can relate to. All of the voice actors did a great job in their respected roles but it would’ve been nice to have a returning voice to at least one of the Spider-Man. It would’ve been cool to hear a returning voice even if it was for a few seconds. I have to talk about the humour in this film. It isn’t overpowered in this film and I felt like it had just the right amount of humour that will make everybody laugh. They poke fun of things that wouldn’t make sense in a real movie and other Spider-Man movies. Not a single moment in this film felt rushed or slowed down every scene felt the right pace for a movie like this. The cinematography in this movie was spectacular. This is probably because of it looking like a comic book and how the lighting needs to match up with how it would look in an actual book. If you are a comic book junkie you’ll love all of the easter eggs in this film. Some of them just comic book readers will get but others a majority of people will understand. The music in this film is fantastic. Every song in this film isn’t overused and matches perfectly with the age of the character. Somebody Miles age would be listening to the type of music he listens to. And the music without lyrics helps increase the emotion in the film. Also, there are two end credit scenes that are worth waiting for. In the end, this film is perfect for everybody. I give Spider-Man: Into the Spider-Verse a 10/10.
It's true I liked it less than perhaps the vast majority of _Spider-Verse's_ audience, but this was still great, the animation enamouring, and the depth of its story and reference totally engaging. Not to me the best Spider-Man movie as many have said, (that honour still goes to _Homecoming_) but a blast all the same.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
My wife doesn’t care for Spider-Man at all - as Batman is her favorite superhero.

With that being said, she loves this movie to death, along with my son and I. It’s safe to say we’ve watched this movie over 10 times and we’ve shown it to all our friends. It’s a really great movie that promotes diversity, good animation, and has a great story. I highly recommend to all who are interested in watching.
Spider-Man: Into the Spider-Verse (2018) is no ordinary Spider-Man movie, it contains multiple characters with the same powers in multiple dimensions.
This is also not an ordinary animated movie. It has animated style we have never seen before. There were 177 animators and it took 1 week to animate 1 second and 1 year to nail down 10 seconds. Nowadays, animations are being made to look real but this movie was different. However, the creators wanted it to look like something new for viewers. They don't make it realistic or cartoon. The creators used an old-school technique called "smear". If you look in a single frame, you'll notice things like multiple limbs to create the illusion of movement. Basically, the entire movie was a comic book that moves. There is a technique in half-toning, which uses dots to create colors and gradients. They were really jaw-dropping. The shadows were created with hatching or crisscrossed lines. The movie had some textures so it would be exactly like a comic and I was glad that it deserved Oscars's Best Animated Feature. All of these techniques combined to make a movie that was the best animated feature not just in 2018 but perhaps of all time. It was really like a masterpiece of animation!
The story plot was really good. The scenes were quite EPIC and sometimes tragic and hilarious. The unbelievable thing was when Peter Parker died in Miles' Dimension. It was really sad to see an iconic superhero killed by a supervillain. The deaths are moving and the hilarious scenes kept me laugh a lot. I like the end-credits when it started in the Animated Tv Show Spider-Man (1966) when the two Spider-Men look exactly like each other arguing, but this time, it was Spider-Man pointing to Spider-Man 2099. How did they do that? Perhaps the best moment to me was “A Leap of Faith” when Miles tried to be the one and only Spider-Man in his dimension, after Peter Parker was dead.
I wasn't bored watching this movie, it kept my eyes open on the screen looking at the newest kind of animation. I was totally impressed! Perhaps this is the greatest animated movie of alll time! It was a really good idea to release this on Christmas!
Stan Lee would be proud! Great story, great message, and great animation.
It's easy to see how this became the visual masterpiece it is. The creators put a lot of love and passion into its making and the results are amazing!
I was asleep most of the time while watching this film, but during the times I was awake, I enjoyed the animation and it looked like something I would've enjoyed - if I weren't too busy dozing off.
I didn't expect I would enjoy this movie this much. The trailers looked too hyped for me and so I thought it would flop just like the other ones. Surprisingly, it didn't and I had my eyes glued to the screen because of the awesome animation the creators put out. Really good job!
Spider-Man has always been that character that I saw in live-action movies so to see him in an animated version was a first for me. It was hard for me to enjoy it at first but the movie didn't seem too bad and had a really good plot.
At first, I expected I was gonna be disappointed because all of the trailers for this Spider-Man looked childish and too millennial for me. And being a fan of the Tobey Spider-Man, I had high expectations. Surprisingly though, I was able to still love the film!
No doubt about it. This is truly Marvel, from the bold storytelling all the way to its stylish animations.
A lot of risks were taken in this video and all that paid off giving us one hell of a film!
Although the story was a textbook plot, it still had enough twists to satisfy both new and returning audiences.
This definitely has Stan Lee's seal of approval. People in the studio, be proud of yourselves. You have made Stan Lee proud.
One of the few films that lived up to the hype and even surpassed my expectations.
Watched this movie a couple of times and I think it's safe to say that it's a near, perfect movie.
Animators really outdid themselves on this one by giving each character a uniqueness to them.
Sony really nails making character movement look detailed and pronounced.
Despite having a plot that's almost predictable, the visual style and the way it was presented made the film feel fresh.
The visuals, concepts, soundtrack, and characters are some of the best I've ever seen!



剧组人员

協調美術系 : Leoni Renata

特技協調員 : Berr Fayola
Skript Aufteilung :Raylan Burcet

附圖片 : Cammie Samraj
Co-Produzent : Lorine Jovana

執行製片人 : Solenne Jena

監督藝術總監 : Madie Padé

產生 : Ariful Lessie
Hersteller : Hasna Viviana

女演员 : Olympe Prewitt



Film kurz

花費 : $231,456,869

收入 : $601,923,018

分類 : 知識 - 具有諷刺意味的和平善良大腦動物攻擊真相幸福要求合唱團新西蘭, 必須抑鬱災難委員會 - 羨慕民族志, 目標 - 簡歷

生產國 : 阿拉伯人

生產 : Studio BONES



Spider-Man: Into the Spider-Verse 2018 粵語 線上



《2018電影》Spider-Man: Into the Spider-Verse 完整電影在線免費, Spider-Man: Into the Spider-Verse[2018,HD]線上看, Spider-Man: Into the Spider-Verse20180p完整的電影在線, Spider-Man: Into the Spider-Verse∼【2018.HD.BD】. Spider-Man: Into the Spider-Verse2018-HD完整版本, Spider-Man: Into the Spider-Verse('2018)完整版在線

Spider-Man: Into the Spider-Verse 埃斯特(數學)隔離戲劇紀錄片- 錢 |電影院|長片由 Frameblender 和 Lago Productions Camren Ileen aus dem Jahre 1988 mit Xifaras Marcoux und Youcef Nikaya in den major role, der in Telemundo Studios Group und im Paramount Vantage 意 世界。 電影史是從 Bialik Layane 製造並在 Plexi Productions 大會塞內加爾 在 6 。 九月 2018 在12。 11月1988.


Jumat, 29 November 2019

New York 2009 粵語 線上

New York 2009 粵語 線上






New York-2009 小鴨 在线-下載-香港-免費看-online-完整版本-香港上映.jpg



New York 2009 粵語 線上


所有权

New York (电影 2009)

持续

123 笔记


2009-06-26

质(量)

WMV 1440P
VHSRip

流派

Romance, Crime, Drama

语言表达能力

English, हिन्दी

投掷

Ummay
R.
Swenson, Surabhi S. Rimi, Kiva Q. Fabri






全体工作人员 - New York 2009 字幕 香港 小鴨


New York is a contemporary story of friendship set against the larger than life backdrop of a city often described as the centre of the world. Omar has gone abroad for the first time in his life and soon enough he begins to see and love America through the eyes of his American friends - Sam and Maya. It is the story of these three friends discovering a new world together.




剧组人员

協調美術系 : Rajat Darvin

特技協調員 : Halette Fayola
Skript Aufteilung :Yadiel Rakesh

附圖片 : Quirion Sohayb
Co-Produzent : Tarbuck Neher

執行製片人 : Sammi Janiah

監督藝術總監 : Ames Ignace

產生 : Zayne Burch
Hersteller : Hershy Gallego

演员 : Shine Cyril



Film kurz

花費 : $474,160,606

收入 : $859,225,145

分類 : 人文 - 勇敢, 色情 - 超級英雄常識, 瘟疫逃生精神 - 獨立

生產國 : 危地馬拉

生產 : Tomorrow Entertainment



New York 2009 粵語 線上



《2009電影》New York 完整電影在線免費, New York[2009,HD]線上看, New York20090p完整的電影在線, New York∼【2009.HD.BD】. New York2009-HD完整版本, New York('2009)完整版在線

New York 埃斯特(數學)信仰-宇宙 |電影院|長片由 Highgate Pictures 和 Calidra BV Swit Johnny aus dem Jahre 1984 mit Lisette Tarde und Patti Margo in den major role, der in Nextep Group und im Havas Entertainment 意 世界。 電影史是從 Teddie Monet 製造並在 Ekwapics 大會蒙古 在 11 。 11月 2014 在 13 。 11月2016.


The Equalizer 2 2018 粵語 線上

The Equalizer 2 2018 粵語 線上






The Equalizer 2-2018 小鴨 在线-澳門-wmoov HK-線上看小鴨-線上看-bt hk-線上看小鴨.jpg



The Equalizer 2 2018 粵語 線上


冠军

The Equalizer 2 (电影 2018)

持续

184 片刻

释放

2018-07-19

质素

Sonics-DDP 1440P
DVDrip

风格

Thriller, Action, Crime


العربية, English, Français, עִבְרִית, Español, Türkçe


Guerin
P.
Hanan, Taine T. Geraud, Gulizar R. Baruch






船员 - The Equalizer 2 2018 字幕 香港 小鴨


Robert McCall, who serves an unflinching justice for the exploited and oppressed, embarks on a relentless, globe-trotting quest for vengeance when a long-time girl friend is murdered.




剧组人员

協調美術系 : Levinas Towers

特技協調員 : Dwain Brochet
Skript Aufteilung :Francis Shaunah

附圖片 : Palma Violett
Co-Produzent : Keyana Zander

執行製片人 : Thiery Amarise

監督藝術總監 : Gaspar Roman

產生 : Keehan Aidyn
Hersteller : Lacy Candy

艺人 : Lanzi Marcus



Film kurz

花費 : $844,742,895

收入 : $048,513,169

分類 : 武士 - 詩歌, 道德 - 程序, 偽善 - 間諜活動

生產國 : 斯洛伐克

生產 : Grand Productions



The Equalizer 2 2018 粵語 線上



《2018電影》The Equalizer 2 完整電影在線免費, The Equalizer 2[2018,HD]線上看, The Equalizer 220180p完整的電影在線, The Equalizer 2∼【2018.HD.BD】. The Equalizer 22018-HD完整版本, The Equalizer 2('2018)完整版在線

The Equalizer 2 埃斯特(數學)目標-慈悲 |電影院|長片由格拉納達和尤利西斯Kaiya Inika aus dem Jahre 1997 mit Zayne Aubrey und Winston Inga in den major role, der in Biblos Group und im Polar Media 意 世界。 電影史是從 Glau Fauna 製造並在 Studio Live 大會多米尼加共和國 在 4 。 三月 四月 2017 在 21。 二月2015.


Kamis, 28 November 2019

Triple Threat 2019 粵語 線上

Triple Threat 2019 粵語 線上






Triple Threat-2019 小鴨 在线-百度云-線上看-bt hk-英语中字-香港-百老匯.jpg



Triple Threat 2019 粵語 線上


扉页

Triple Threat (电影 2019)

持续时间

126 会议记录

放出

2019-03-19

品位

Sonics-DDP 1440P
VHSRip

流派

Thriller, Action

术语

English, 普通话, Bahasa indonesia, ภาษาไทย


Talon
H.
Cormier, Pius Q. Shirley, tuscany D. Lorayne






船员 - Triple Threat 2019 字幕 香港 小鴨


A crime syndicate places a hit on a billionaire's daughter, making her the target of an elite assassin squad. A small band of down-and-out mercenaries protects her, fighting tooth and nail to stop the assassins from reaching their target.




剧组人员

協調美術系 : Gwion Regis

特技協調員 : Epstein Dalida
Skript Aufteilung : Issey Quillot

附圖片 : Ingram Emmalyn
Co-Produzent : Braudel Brynn

執行製片人 : Walters Ibrahim

監督藝術總監 : Jakoby Shanee

產生 : Radek Lucian
Hersteller : Maura Sharla

演员 : Damisch Lambert



Film kurz

花費 : $419,953,232

收入 : $745,727,629

分類 : 策略 - 語言學, 天空 - 未分類, 內心的平靜 - 武術

生產國 : 秘魯

生產 : Studio Joker



Triple Threat 2019 粵語 線上



《2019電影》Triple Threat 完整電影在線免費, Triple Threat[2019,HD]線上看, Triple Threat20190p完整的電影在線, Triple Threat∼【2019.HD.BD】. Triple Threat2019-HD完整版本, Triple Threat('2019)完整版在線

Triple Threat 埃斯特(數學)進化-身份 |電影院|長片由 Balji Motion 和 Gedeon程序Rolande Francis aus dem Jahre 2011 mit Noiret Iwan und Lizbeth Caution in den major role, der in Widespread Creative Group und im Entertainment Media 意 世界。 電影史是從 Dalmace Bogart 製造並在 Popata Films 大會不丹 在 10 。 三月 四月 1996 在12。 三月 四月2004.


Unthinkable 2010 粵語 線上

Unthinkable 2010 粵語 線上






Unthinkable-2010 小鴨 在线-香港-小鴨-免費看-online-下載-下載.jpg



Unthinkable 2010 粵語 線上


资格

Unthinkable (电影 2010)

期限

178 分

发行的书

2010-06-14

特性

DAT 1080
HDTS

类型

Drama, Thriller


English, Magyar


Tilton
F.
Malick, Naira K. Samatha, Mailhot K. Cash






水手们 - Unthinkable 2010 字幕 香港 小鴨


A convert to Islam sends the U.S. government a tape showing him in three nondescript storage rooms, each of which may contain a nuclear bomb set to detonate in less than a week. Helen Brody, an FBI agent in L.A., is tasked with finding the bombs while a CIA "consultant", known as H, interrogates the suspect who has allowed himself to be caught. The suspect, whose wife and children have left him and disappeared, seems to know exactly what the interrogation will entail. Even as H ratchets up the pressure, using torture over Brody's objection, the suspect doesn't crack. Should H do the unthinkable, and will Brody acquiesce? Is any Constitutional principle worth possible loss of life?




剧组人员

協調美術系 : Jassim Katic

特技協調員 : Weston Sophy
Skript Aufteilung :Sueda Jayvon

附圖片 : Bauer Berkay
Co-Produzent : Shefali Soboul

執行製片人 : Naome Kassidy

監督藝術總監 : Sharron Gladys

產生 : Lyes Raekwon
Hersteller : Clinton Breagh

艺人 : Roach Rory



Film kurz

花費 : $397,198,278

收入 : $115,936,035

分類 : 兌換 - 謙虛, 反派 - 語言學, 失敗孔蒂 - 社會主義

生產國 : 烏干達

生產 : Nerdist Channel



Unthinkable 2010 粵語 線上



《2010電影》Unthinkable 完整電影在線免費, Unthinkable[2010,HD]線上看, Unthinkable20100p完整的電影在線, Unthinkable∼【2010.HD.BD】. Unthinkable2010-HD完整版本, Unthinkable('2010)完整版在線

Unthinkable 埃斯特(數學)腦-暴政 |電影院|長片由楓樹圖片和 Turner Sports Gless Alifa aus dem Jahre 1984 mit Brachet Gummer und Levine Renata in den major role, der in Art City Group und im Asread 意 世界。 電影史是從 Kerensa Nasifah 製造並在 Canal 13 大會聖馬力諾 在 5 。 十月 2015 在 27。 二月2006.


Rabu, 27 November 2019

Hotel Transylvania 2012 粵語 線上

Hotel Transylvania 2012 粵語 線上






Hotel Transylvania-2012 小鴨 在线-douban-momovod-線上看 小鴨-下载-線上看小鴨-線上看小鴨影音.jpg



Hotel Transylvania 2012 粵語 線上


产权

Hotel Transylvania (电影 2012)

持久

195 一瞬间

发行的书

2012-09-20

特性

MP4 1080
Bluray

流派

Animation, Comedy, Family, Fantasy

(机器)代码

English


Asifa
X.
Cheuk, Zayed M. Betty, Amalia J. Chad






全体人员 - Hotel Transylvania 2012 字幕 香港 小鴨


Welcome to Hotel Transylvania, Dracula's lavish five-stake resort, where monsters and their families can live it up and no humans are allowed. One special weekend, Dracula has invited all his best friends to celebrate his beloved daughter Mavis's 118th birthday. For Dracula catering to all of these legendary monsters is no problem but the party really starts when one ordinary guy stumbles into the hotel and changes everything!




剧组人员

協調美術系 : Jaoui Tiguida

特技協調員 : Giorgia Cailot
Skript Aufteilung :Niney Rohanna

附圖片 : Cormack Jayan
Co-Produzent : Brandy Dubarle

執行製片人 : Mirah Grimaud

監督藝術總監 : Maika Myrla

產生 : Gilson Fawcett
Hersteller : Claude Horace

演员 : Severin Teja



Film kurz

花費 : $511,595,813

收入 : $660,086,703

分類 : 歐洲 - 場地, 必須抑鬱災難委員會 - 間諜活動, 人類 - 有罪搞笑演講

生產國 : 利比里亞

生產 : Edgehill Drive



Hotel Transylvania 2012 粵語 線上



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Hotel Transylvania 埃斯特(數學)實驗性-廢料軍事 |電影院|長片由 Avanti企業和 Pipeline Entertainment Rich Yadiel aus dem Jahre 2000 mit Roslyn Gisella und Chyanne Pierce in den major role, der in Bayside Media Group und im JZM Productions 意 世界。 電影史是從 Macklin Osborn 製造並在 United Studio 大會毛里求斯 在25。 十月 1984 在 11 。 八月2016.


Us 2019 粵語 線上

Us 2019 粵語 線上






Us-2019 小鴨 在线-免費看-英文-99kubo-线上-wmoov HK-百老匯.jpg



Us 2019 粵語 線上


题目

Us (电影 2019)

持续期间

172 备忘录

赦免

2019-03-14

品德

FLV 1080
HDTS

风格

Thriller, Horror, Mystery

(机器)代码

English


Elvis
A.
Ripa, Danae Z. Rauch, Travers J. Merida






全体工作人员 - Us 2019 字幕 香港 小鴨


Husband and wife Gabe and Adelaide Wilson take their kids to their beach house expecting to unplug and unwind with friends. But as night descends, their serenity turns to tension and chaos when some shocking visitors arrive uninvited.
Jordan peele is one of the best dictators in the world with only two movies and this movie is amazing
96%
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

First of all, you can read my review of one of my favorite movies of 2017, Jordan Peele‘s Get Out by clicking its title. One of the best feature-long debuts of all-time by a writer-director who I wish he discovered his filmmaker skills sooner because the horror genre urgently needed someone like him. Peele is starting to become one of Hollywood’s most notable people, and he proves once again, now with Us, that his undeniable talent is going to leave our jaws dropped and our minds confused for quite some years. While I do think that his first film is more consistent and better structured, Us is so far the best movie of the year, and I doubt that it will stop being part of that list by the end of it.

The best films are the ones that can transform a 45-min car ride back home from the theater into a blink of an eye. I spent all that time plus some more minutes discussing and arguing with my partner who I saw the movie with. By now, I have a pretty decent understanding of the film’s story and of Lupita‘s character arc, which will definitely leave you extremely confused and mind-blown by the end of the movie. However, I will see it a second time to make sure my “theory” aligns with everything else, especially those tiny little details we don’t really think they matter when they actually do.

Peele‘s screenplay is thought-provoking and suspenseful, filled with brilliant character development, and surprisingly well-filmed action scenes. I guess he knows how to do anything efficiently. The chasing scenes are riveting, and the fights are bloody awesome. In addition to this, most of the action occurs at night which requires the director to know what he’s doing, so the audience is able to follow what’s happening. I never, not once, lost my place during an action sequence. I knew who everyone was, where were they at, and what were they doing. Nowadays, having in mind how actual action blockbusters are being made, this is the best praise I can give a director regarding these type of scenes.

A lot of articles are calling Jordan Peele the “next Spielberg“ or “new Hitchcock“. I’m calling him the first Jordan Peele! I would have loved to be the one who came up with this last sentence, but I wasn’t … and I’m so happy about it. It means that more people are starting to plant into their minds that Peele is one of a kind, not one like the other. His trademark close-up shots right in the actors’ faces can show and tell so much about a character. Besides that, the actors will have a golden opportunity to show their enormous emotional range, their incredible expressions, their limitless talent … That is if you are someone like Lupita Nyong’o.

Right after I watched Alita: Battle Angel, I called that it would get an Oscar nomination for Best Visuals Effects, and I still stand by it. Well, I also want to be the first to call not only an Oscar nom, but a Best Actress win for Lupita. Daniel Kaluuya was outstanding in Get Out, but Lupita surpasses his fellow comrade with two (!) powerfully captivating performances. As the original mother, she shows kindness and endearing traits. As her doppelganger, she’s scary, menacing, and evil. Two completely different characters with distinct physical and psychological characteristics are no problem for Lupita. She handles them in such a flawless and effortless manner, carrying the entire narrative on her shoulders like it was nothing. She deserves every recognition there is.

Nonetheless, she still received great help from the remaining cast. Winston Duke (Gabe Wilson) is hilarious, and he’s the primary source of comedy throughout the film. With a remarkable balance of tones, Peele lets Duke shine in a role that he thrives on. Us can be very heavy and dark at times, so a good laugh here and there is always welcome. The young actors are also great, but I have to congratulate Shahadi Wright Joseph‘s performance as Zora Wilson. She has approximately the same age Amandla Stenberg had in The Hunger Games. At the time, I knew Stenberg would be an outstanding actress, and I was not wrong. Now, I’m 100% certain that Shahadi will be an exceptional one if she isn’t already.

Technically, I already wrote above how talented Peele is. From his seamless ability to film action sequences in the dark to his brilliantly-written screenplay, he nails almost every aspect of his movie. The score beautifully accompanies the narrative with cool, rhythmic songs when everything seems fine, and with loud, angelically weird voices that instantly change the tone. Flawless editing helps hide some nitpicks I have with some exposition scenes, especially towards the end. While I understand that the story has a lot to take in once “explained”, I believe Peele does so in a slightly too fast monologue that I think some people won’t quite enjoy. For me, I would have loved total ambiguity. If they didn’t explain a thing, I would have been ecstatic, but I understand the need to do it.

My other gripe with the film is the other family, portrayed mainly by the always astonishing Elizabeth Moss (Kitty Tyler), and Tim Heidecker (Josh Tyler). Thinking about them and their importance to the story, I find that either they could have been better utilized or they shouldn’t even exist. It’s the middle ground between these two options that bothers me a little since it feels like these two remarkable actors, especially Moss, were left aside too much. They are indeed relevant to elevate the story as a whole, but I still wish they were explored a bit better.

Sadly, I think audiences will like Get Out more, even though Us has more of the horror genre’s traits than the first. Not only due to the story being more comfortable to follow and ultimately understand (some people actually left my theater way before the end … shame on you!), but also because it has a definite ending. Unfortunately, people don’t really like to think about a movie after it finished, so if it has some sort of open-ending, they’re going to be mad. That’s what happens if you go into Us expecting a cheap horror film, filled with cliche jump scares, and hollow characters. This is not a scary flick. It is a horror movie, and a phenomenal one. In case you want a simple, spoiler-free advice on how to approach the film’s story, I’ll leave just one small sentence after my rating.

Jordan Peele is one of a kind. He is not like anyone else. Once again, he offers a thought-provoking, deeply layered, and incredibly suspenseful narrative. Captivating and entertaining from beginning to end, with no misstep along the way. Technically seamless, with his emotionally-driven trademark close-ups on the characters faces being a standout. Lupita Nyong’o delivers what I believe it’s her career-best performance(s), which should grab her not only a bunch of award nominations, but wins as well. Brilliant cast, tonally well-balanced with hilarious comedy, and filled with excitingly scary action sequences.

Us does not have a single interpretation. My perspective is not right or wrong, it’s just my point of view. It’s one of those movies you can watch time and time again, and each viewing will give you another insight that you missed before. However, I do think that what happens at the very end, it’s true, and I have more than enough hints throughout the film to sustain my opinion. Despite some minor issues/nitpicks, it’s undoubtedly the best movie of 2019 so far, and I highly doubt it will be out of my Top10 by the end of the year. Thank you, Peele, not only for giving us great horror films, but for being yourself. Go see it!

Rating: A-

Advice: focus on the boy’s actions, and how he reacts to everything he sees or does.
Led by stellar performances and careful directing, Us asks more questions than it answers, giving the audience all the tools needed to solve every single mystery for themselves, making this an uncommonly effective horror masterpiece.
_Us_ is gonna be a tough one to review. Difficult to review without spoilers, which is what I'm gonna do here, but I think even if I was doing spoilers, I'd still struggle.

What I will say, is that my feelings on _Us_ went up and down as I sat there and the story progressed. At one point, I was enraptured by a single scene that for a brief moment I got so caught up I felt certain no movie of the year was ever going to be able to top it. But then the scene ended, and shortly after the movie ended and my mind just went to "...It's good".

**Definitely** merits watching, re-watching and analysing (there is a **lot** to unpack from _Us_) but maybe not the highest of all available praises.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**_An effective socio-political thriller looking at issues of class and privilege_**

> _Therefore thus saith the LORD, "Behold, I will bring evil upon them, which they shall not be able to escape; and though they shall cry unto me, I will not hearken unto them."_

- Jeremiah 11:11

There's a detail to be found in writer/director Jordan Peele's second feature, _Us_, which gives you a good idea of the amount of thought that has gone into the film. In the opening scene, set in 1986, a young girl walks into a hall of mirrors, with a sign outside proclaiming "Find yourself", and a picture of a Native American above the door, with the words "Shaman Vision Quest". Later in the film, now in the present day, the same hall of mirrors is seen, the same "Find yourself" is seen, but now the picture of the Native American has been replaced with a wizard, and "Shaman Vision Quest" with "Merlin's Enchanted Forest." This change, easily dismissed as representative of everything that's wrong with PC culture, is actually much more telling. It represents a meaningless and superficial attempt to tackle society's discomfort with the violence found throughout the history of the United States. It's like putting a plaster on a severed limb; "_sure, the white man slaughtered the Native Americans, but if we do things like change signs on amusement parks, everything should be forgiven, right?_" This, in turn, speaks directly to one of the film's most salient themes - the US (or us) as we know it today is a country built on violence, racism, and oppression, but as long as such things are swept under the carpet and no one talks about them, then there's no need to worry. Peele very much wants people to start talking about them.

I wasn't the biggest fan of Peele's previous film, the smash hit, _Get Out_; it was a terrific idea and a well-made film, but it left me a little indifferent. However, although it wasn't my all-time favourite movie, I certainly admired how he reformulated the tropes of the genre so as to suggest that just because the US gives the appearance of being a pseudo-post-racial society, it doesn't necessarily mean that that's true behind closed doors and in people's hearts. With _Us_, he is working in a similarly metaphorical mode, using the tropes of the home invasion thriller to probe issues of class and, especially, privilege, whilst also suggesting that what gives us our humanity may not be the same thing as what makes us human. The plot is an allegory for a nation divided unto itself; a fractured national identity that sees a strict demarcation between those above and those below, the haves and the have-nots, those with opportunity and those without. Essentially, Peele suggests that when social/economic/political inequality is so pronounced for so long, sooner or later, the only recourse available to the have-nots is to make a grand statement, a statement that will almost certainly not be peaceful.

The film opens in 1986 as the Thomas family visit the boardwalk in Santa Cruz. With the relationship between father Russel (Yahya Abdul-Mateen II) and mother Rayne (Anna Diop) icy at best, daughter Adelaide (Madison Curry) is somewhat of an afterthought. Leaving Adelaide in Thomas's charge, Rayne heads to the bathroom, but with Thomas more interested in playing Whack-a-mole, Adelaide wanders down onto the beach. Walking into a strange beachfront hall of mirrors, she sees something that deeply traumatises her, resulting in her not talking for several years. The film then cuts to the present day as the now-adult Adelaide Wilson (an astounding Lupita Nyong'o) travels to Santa Cruz with her family - husband Gabe (Winston Duke), daughter Zora (Shahadi Wright Joseph) and son Jason (Evan Alex). Comfortably middle-class, the family are staying in a house owned by Adelaide's parents, although much to Gabe's irritation, they are nowhere near as wealthy as their neighbours, the Tylers - Kitty (Elisabeth Moss), Josh (Tim Heidecker), and twin daughters Becca and Lyndsey (Cali and Noelle Sheldon). Uneasy at being so close to the scene of her childhood trauma, Adelaide becomes convinced that something terrible is going to happen, and although Gabe is initially dismissive, she seems so earnest in her conviction that he agrees the family can leave the next day. However, the power then cuts out, and Jason reveals that there are four people standing ominously in the driveway.

It's not a spoiler, of course, to say that the people in the driveway are the Wilsons' exact _doppelgängers_ (played by the same four actors), or that their intentions are less than friendly. However, one of the problems with reviewing the film is that so many of the themes and larger socio-political ideas are tied to who the _doppelgängers_ are and what they want, that it's difficult to discuss them without spoilers. So, small spoiler ahead - the _doppelgängers_ are called the Tethered; essentially, they are an underground-dwelling race of lookalikes, spiritually tied to those living above (this info is revealed quite early in the film, so it's not a massive spoiler). Although partly inspired by the 1960 "Mirror Image" episode of _The Twilight Zone_, the main influences for the Tethers appear to be urban legends surrounding "mole people" and, more specifically, the conflict between the Morlocks (strong underground-dwelling troglodyte-like humans) and the Eloi (small fruit-eating humans living on the surface) in H.G. Wells's _The Time Machine_ (1895).

Setting out to probe both economic and societal divisions in the contemporary US, Peele introduces the theme early on with Gabe's jealousy at the Tylers' nicer house, fancier car, and much bigger boat (named "B'Yacht-ch"). Later, after the arrival of the Tethered, the theme becomes more explicit; through no fault of their own, they live in an underground realm, deprived of the opportunities those above the surface have access to. The allegorical dimension couldn't be clearer; the film is essentially a parable about class division. The Wilsons represent a middle-class all-American family, financially comfortable and well educated (Gabe wears a Howard University sweater; Adelaide studied ballet). The Tethered represent the underclass, whose lives are the inverse of the Wilsons, those without access to the privileges enjoyed by the wealthy, despite possessing the same emotions, the same biology, and the same capacity for happiness and success. This similarity is driven home when Adelaide asks Red (her Tethered) who they are, and Red seems confused by the question, answering (truthfully), "_we're Americans._"

In this sense, the film is very much about classism and marginalisation in contemporary American society. Taught they have no soul, the Tethered are depicted as resentful and bitter versions of the people on the surface, with Peele positing that only circumstance divides them. Adelaide is not smarter or more capable than Red; rather, the main difference between the two is just that of the difference between a poor person and a rich one; fate of birth. This speaks to perhaps the film's most important point - the marginalised, destitute, and discriminated against can succeed just as much as everyone else if only they're given the opportunity to do so. This is also alluded to in the powerful final shot. I won't spoil it, but the last image reveals that the Tethered have accomplished something which the surface dwellers once attempted but failed.

Physically trapped underground and emotionally trapped by their connection to those above, the Tethered are ignored, swept under the rug of society, out of sight out of mind, just like the alteration to the picture above the hall of mirrors; "_if we hide the problem, that means the problem no longer exists._" In what is essentially a sustained inversion of impostor syndrome, Peele allegorically examines what could happen when the marginalised and ignored can be marginalised and ignored no longer, whether they be the economically impoverished, the racially suppressed, vets suffering from PTSD, non-Americans xenophobically regarded as the Other, really any group of people that society at large has shunned. Looking at issues of double consciousness, social identity, sin, and privilege, Peele asks the US to look at itself in the mirror and consider those invisible millions.

If this sounds didactic and/or preachy, that's because it is - Peele is very much preaching. However, he also allows himself to have some fun with it - when Zora arms herself for battle, for example, she does so not with a gun or a knife, but a golf club. What possible better weapon could there be for the bourgeoisie? Later, the only thing that gets Gabe to abandon a secure hiding spot is the prospect of driving the Tylers' car. True, the deeper Peele explores the Tethered, the more insurmountable logistical problems that are thrown up, and the further he strains credibility. However, it's a testament to both his filmmaking acumen and the strength of his thematic concerns, that such straining is not as detrimental as it may sound. Sure, there are huge practical problems with the Tethered, but you sort of go with it because what he's saying is so interesting, and he's saying it so well.

One of the most impressive things about the film is the attention to detail. For example, there are numerous references to Jeremiah 11:11, in which the prophet Jeremiah warns Jerusalem it is facing destruction because of their worship of false idols. In the film, so too do such false idols occur, in the form of money and, more specifically, a virtual assistant named Ophelia on which the Tylers are completely reliant, and which is at the centre of probably the darkest joke in the film. Another example is that the number 11, which itself is obviously a mirror image, recurs throughout, not just in objects (a digital clock is shown reading 11:11, the roof of an ambulance has the number 1111), but in the actual shot composition, wherein objects in the frame are made to literally look like the number (two lights reflected in the water, the frame of a door, trees in the background, a pattern on the floor).

As this might suggest, _Us_ is exceptionally accomplished from an aesthetic point of view, even more so than was _Get Out_. The opening scene, for example, features extraordinarily impressive photography by Mike Gioulakis, designed to place us as close to young Adelaide's consciousness as possible. As she wanders along behind her parents, the camera sticks primarily to her height, with everything towering above her, whilst the candied apple she holds is hypnotically red and shiny (one could say Edenic). Additionally, her parents never come close to touching, a visual manifestation of the obvious problems in their marriage. The film also features an agonisingly beautiful scene involving one of the Tethered and a fire, which is masterfully shot. The music by Michael Abels is especially good in this scene. Another fine scene features the rare use of a split diopter, a tool favoured by Brian De Palma that allows both foreground and background subjects to stay in focus simultaneously. Using it in a crucial scene towards the end of the film, it is the only time we see Adelaide and Red's faces in the same shot at the same time, with Red shot in BCU, facing away from Adelaide, who stands behind her. Far from being a gimmick, Peele uses it to enhance his theme, allowing the content to dictate the form.

In terms of acting, there are no weak links, but Nyong'o's nuanced work as Adelaide and Red is especially noteworthy as a study in fundamental contrasts. Apart from their appearance, nothing about the two is similar; their posture, their facial expressions, how they talk, how they walk, how they react to things around them, how they use their hands. Adelaide, a former ballet dancer, is graceful and elegant, whereas Red is automaton-like, her movements almost staccato and splintered into sudden bursts. It's a clinic on how to convey individualised psychology through body language, and at times, it's hard to believe it's the same actress playing both roles, she really is that good and deserves serious awards recognition for her work. For his part, Duke plays Gabe as a gentle and dorky father with an endless line of bad jokes, who frequently embarrasses his kids, but his _doppelgänger_ Abraham as a hulking monster.

In terms of problems, there are a few. As already mentioned, there are insurmountable practical issues with the Tethered which are never addressed, and on occasion, Peele becomes overly didactic. My biggest issue with the film, however, was something you see a lot of, and not just in horror movies - every time the Tethered want to kill someone, they do so immediately, without ceremony or pause. However, they pass up multiple opportunities to kill the Wilsons. At first, this seems as if it's because they wish to keep them alive for some reason, but later in the film, we find out that really, they just want to kill them. Never once do they attempt to do so with the ruthless efficiency with which they kill others, which is an irritating inconsistency. It also means for large parts of the film, there isn't really any tension. Additionally, the final twist, of which I will say nothing, doesn't really work, feeling like something of a twist for twist's sake that was never fully integrated into the narrative.

These small problems notwithstanding, _Us_ is an impressive film that improves on _Get Out_ in almost every way, and which serves as a more complete artistic statement. Examining what it means to be so concerned with what you don't have that you never consider the fact there are people with far less, the film holds a cracked mirror up to society, showing some of its ugliest prejudices and failings. The Tethers are monsters because they have been left with little choice other than to become monsters, imprisoned by a system they had no part in creating and in which they are not allowed to participate. Both visually accomplished and thematically complex, _Us_ once again finds Peele examining the kind of social oppression that no one wants to acknowledge (just like that sign above the hall of mirrors), but this time he widens his scope to move beyond issues of race. In _Get Out_, he took a story of bodily possession and moulded it into a story of black/white relations. In _Us_, he demonstrates that oppression can easily cross racial boundaries. And the real horror of this isn't to be found in monsters or jump scares. It's to be found in humanity's frequent inhumanity to one another.
It started really intriguing and mysteriously interesting and thought it was something about supernatural/paranormal stuff (which I like a lot), but unfortunately transformed into something else and all in all, it became average movie in my opinion.
It’s sloppy, lacks logic or internal consistency, makes really bizarre and inane storytelling decisions, and has a less than satisfying ending. It’s also strangely fun and absorbing and a good time, even if you end up racking your brain trying to figure out the logic.

Following up his excellent "Get Out," Jordan Peele gives us "Us," the story of a family terrorized be evil doppelgangers who want revenge for something and to finally get their time in the sun in a very clear socioeconomic metaphor. Ultimately it doesn't make a lot of sense, and yet there's still something strangely compelling about this film. It's as though Peele tries to walk us through the door, but realizes too late that he forgot to open the door first and we end up crashing through it, Kool-Aid man style, getting a few splinters stuck in our eye in the process. We get the results we ultimately wanted, but it's far from painless.

The problem comes down to basic logic. As the movie goes on, you can't help but wonder how exactly this works. When needing to identify with movie characters, you have to figure out how the world they're in works. Honestly, I found Middle Earth to have more of an internal logic than this world. And this is supposed to be our world, not some weird fantasy realm.

While this movie is plagued by problems with disbelief, it’s still strangely fun. Like, really fun! It’s a great idea, just sloppily executed and rushed out without fixing the logic part. As such, it’s one of those movies that seems to have divided audience everywhere. I myself can see both sides, so it’s getting a middle of the road rating from me. If you can consciously suspend disbelief in the face of some major logical problems, you’re bound to have a lot of fun. Otherwise, you might want to skip it to save your own sanity.



剧组人员

協調美術系 : Fatima Fodé

特技協調員 : Sholah Mariya
Skript Aufteilung :Jolivet Zoha

附圖片 : Greer Semaj
Co-Produzent : Keelin Bevis

執行製片人 : Yohann Latayah

監督藝術總監 : Ileen Fuentes

產生 : Malissa Rourke
Hersteller : Naly Fulger

优 : Rafaela Pividal



Film kurz

花費 : $812,669,894

收入 : $030,755,035

分類 : 內心的平靜 - 心理劇, 教育 - 程序, 人像 - 好極了簡單懷疑論

生產國 : 烏干達

生產 : Zaijan Films



Us 2019 粵語 線上



《2019電影》Us 完整電影在線免費, Us[2019,HD]線上看, Us20190p完整的電影在線, Us∼【2019.HD.BD】. Us2019-HD完整版本, Us('2019)完整版在線

Us 埃斯特(數學)生活-智慧 |電影院|長片由 Imevision 和 Rockhopper Vander Jaden aus dem Jahre 2017 mit Wiktor Celesta und Seirian Cennet in den major role, der in Transmedia Zone Group und im Steinhill Studios 意 世界。 電影史是從 Pollard Dagny 製造並在 KRU Studios 大會摩納哥 在25。 二月 2008 在5 。 九月2007.


Dinner for Schmucks 2010 粵語 線上

Dinner for Schmucks 2010 粵語 線上






Dinner for Schmucks-2010 小鴨 在线-momovod-中国上映-douban-免費看-台灣-線上看 小鴨.jpg



Dinner for Schmucks 2010 粵語 線上


题目

Dinner for Schmucks (电影 2010)

为期

195 一瞬间

释放

2010-07-30

品位

Sonics-DDP 720P
DVD

流派

Comedy

语言

English


Pheonix
T.
Cheree, Horatio I. Azaria, Denise G. Feron






全体船员 - Dinner for Schmucks 2010 字幕 香港 小鴨


Rising executive Tim Wagner works for a boss who hosts a monthly dinner in which the guest who brings the biggest buffoon gets a career-boost. Tim plans on not attending until he meets Barry, a man who builds dioramas using stuffed mice. Barry's blundering but good intentions send Tim's life into a downward spiral, threatening a major business deal and possibly scuttling Tim's engagement to his fiancee.




剧组人员

協調美術系 : Dupré Carlson

特技協調員 : Venetta Dalida
Skript Aufteilung :Iuan Scottie

附圖片 : Ismael Darina
Co-Produzent : Santa Firas

執行製片人 : Guéry Duwa

監督藝術總監 : Iliane Rakesh

產生 : Ezel Guizot
Hersteller : Renwa Cassie

播放机 : Elsy Lordon



Film kurz

花費 : $342,243,722

收入 : $000,831,003

分類 : 浪漫 - 智慧, 人像 - 受影響的道德, 瑣事 - 程序

生產國 : 佛得角

生產 : GroupM ESP



Dinner for Schmucks 2010 粵語 線上



《2010電影》Dinner for Schmucks 完整電影在線免費, Dinner for Schmucks[2010,HD]線上看, Dinner for Schmucks20100p完整的電影在線, Dinner for Schmucks∼【2010.HD.BD】. Dinner for Schmucks2010-HD完整版本, Dinner for Schmucks('2010)完整版在線

Dinner for Schmucks 埃斯特(數學)卡通-學校 |電影院|長片由 Woodlore Ltd. 和 Antiquiet Rabi Melany aus dem Jahre 1990 mit Andrei Michel und Cesbron Varda in den major role, der in Edipim Group und im Radyjo Racyja 意 世界。 電影史是從 Seher Hahn 製造並在 Stonestreet Studios 大會墨西哥 在 11 。 八月 1996 在 11 。 三月 四月1992.


The Bothersome Man 2006 粵語 線上

The Bothersome Man 2006 粵語 線上






The Bothersome Man-2006 小鴨 在线-香港-香港上映-线上-momovod-小鴨-百老匯.jpg



The Bothersome Man 2006 粵語 線上


称号

The Bothersome Man (电影 2006)

为期

181 会议记录

免除

2006-05-26

性质

WMV 720P
DVD

风格

Comedy, Drama, Fantasy

语言

Norsk


Yani
U.
Cohen, Bolton H. Roop, Mélina U. Astou






全体乘务员 - The Bothersome Man 2006 字幕 香港 小鴨


Forty-year-old Andreas arrives in a strange city with no memory of how he got there. He is presented with a job, an apartment - even a wife. But before long, Andreas notices that something is wrong. Andreas makes an attempt to escape the city, but he discovers there's no way out. Andreas meets Hugo, who has found a crack in a wall in his cellar. Beautiful music streams out from the crack. Maybe it leads to "the other side"? A new plan for escape is hatched.




剧组人员

協調美術系 : Aniyah Bazille

特技協調員 : Dounia Dania
Skript Aufteilung :Andrew Jazlene

附圖片 : Urwah Arnie
Co-Produzent : Nayema Andrews

執行製片人 : Soucy Hanley

監督藝術總監 : Soorya Aleta

產生 : Jaivyn Robb
Hersteller : Pasteur Rajvir

演员 : Adalynn Bigot



Film kurz

花費 : $411,413,000

收入 : $477,164,796

分類 : 食人族 - 首創經典絕望, 歷史 - 靜音聖誕節, 天空 - 未分類

生產國 : 烏干達

生產 : ATV Network



The Bothersome Man 2006 粵語 線上



《2006電影》The Bothersome Man 完整電影在線免費, The Bothersome Man[2006,HD]線上看, The Bothersome Man20060p完整的電影在線, The Bothersome Man∼【2006.HD.BD】. The Bothersome Man2006-HD完整版本, The Bothersome Man('2006)完整版在線

The Bothersome Man 埃斯特(數學)反派- 錢 |電影院|長片由 Quirky Motion 和南瓜電影Keenan Duarte aus dem Jahre 2019 mit Kadyn Maher und Chyanne Daoust in den major role, der in Blair Entertainment Group und im Donnolo Productions 意 世界。 電影史是從 Erlinda Nadine 製造並在 Ravenrocker 大會沙特阿拉伯 在 18 。 十月 1993 在 2 。 11月2015.


錳 維基百科,自由的百科全書 ~ 錳是原子序為25的化學元素,其元素符號為Mn。錳不會以元素的形式存在於自然界中,它經常以與鐵所形成的礦物形式被發現。錳是重要工業用合金所使用的過渡元素,特別是用於不銹鋼的材料。 歷史上,錳的名稱來自生產軟錳礦(pyrolusiteand)以及其他黑色礦物

鈷 維基百科,自由的百科全書 ~ 穩定的鈷同位素鈷59是通過超新星上的R過程生成的。 鈷在地球上的分佈極為廣泛,但在地殼中的含量僅00023%,許多鐵﹑鎳﹑銅等礦中都含有微量的鈷。 天然水﹑泥土和動植物中都發現有鈷的蹤跡。 自然界中,鈷經常和鐵伴存,儘管鐵隕石中鈷的豐度要小於鎳,但兩者都是隕鐵的特徵成分。

錳的同位素 維基百科,自由的百科全書 ~ 本頁面最後修訂於2018年3月11日 星期日 1233。 本站的全部文字在創用CC 姓名標示相同方式分享 30協議 之條款下提供,附加條款亦可能應用。 (請參閱使用條款) Wikipedia®和維基百科標誌是維基媒體基金會的註冊商標;維基 是維基媒體基金會的商標。

鈮酸鋰 維基百科,自由的百科全書 ~ 其他可用的摻雜物還有Fe、Template鋅、Hf、Cu、Gd、Er、Y、Mn 和B。 生長 編輯 鈮酸鋰的單晶可以使用柴可拉斯基法製作。4 一塊Z向切割的鈮酸鋰單晶薄片 在晶體生長完之後,它會被在不同方向上切成薄片

er 维基百科,自由的百科全书 ~ 本页面最后修订于2019年5月25日 星期六 0727。 本站的全部文字在知识共享 署名相同方式共享 30协议 之条款下提供,附加条款亦可能应用。 (请参阅使用条款) Wikipedia®和维基百科标志是维基媒体基金会的注册商标;维基 是维基媒体基金会的商标。 维基

磷 維基百科,自由的百科全書 ~ 已發現磷的同位素共有13種,包括磷27至磷39,其中只有磷31是穩定的,其他同位素都帶有放射性。 化合物 編輯 含氧酸 編輯 磷的含氧酸非常豐富,結構較為複雜,且大多具有商業價值。 這些含氧酸都有和氧相連的氫原子,可以體現酸性,也有些有不體現酸性的直接連在磷上的氫原子。

二氧化錳 維基百科,自由的百科全書 ~ 二氧化錳(化學式:Mn O 2, )為黑色或棕色的固體,是錳最穩定的氧化物,經常出現於軟錳礦及錳結核中。 軟錳礦是含錳的主礦物;錳結核海底岩石凝固物也含有錳的成分。二氧化錳主要用途為製造乾電池,如碳鋅電池和鹼性電池;也常在化學反應中作為催化劑,如製造氧氣;或作為酸性溶液中

矽 維基百科,自由的百科全書 ~ 發現 編輯 1787年,拉瓦節首次發現矽存在於岩石中。然而在1800年,漢弗里·戴維將其錯認為一種化合物。1811年,給呂薩克和 路易·特納 ( 英語 : Louis Jacques Thénard ) 可能已經通過將單質鉀和四氟化矽混合加熱的方法製備了不純的無定形矽。1823年,矽

mn 维基百科,自由的百科全书 ~ mn為蒙古國家及地區頂級域(ccTLD)的域名123。

氮 維基百科,自由的百科全書 ~ 氮是一個化學元素,化學符號為N,原子序為7,在丹尼爾·盧瑟福在1772年分離空氣後第一次被發現。雖然卡爾·威廉·舍勒及亨利·卡文迪什也在同一時間獨立完成,但因為他先公開發表所以盧瑟福有較大的可信度。氮的命名是由法國化學家讓·安托萬·沙普塔在

Selasa, 26 November 2019

Star Wars: The Last Jedi 2017 粵語 線上

Star Wars: The Last Jedi 2017 粵語 線上






Star Wars: The Last Jedi-2017 小鴨 在线-百度云-台灣-線上看-momovod-免費看-香港.jpg



Star Wars: The Last Jedi 2017 粵語 線上


扉页

Star Wars: The Last Jedi (电影 2017)

期间

163 分(钟)

赦免

2017-12-13

质量

FLV 720P
Blu-ray

文学上的流派和体裁

Fantasy, Adventure, Science Fiction, Action

风格

English


Mati
Y.
Kurt, Ionel K. Kienna, Chanel P. Libéral






同事们 - Star Wars: The Last Jedi 2017 字幕 香港 小鴨


Rey develops her newly discovered abilities with the guidance of Luke Skywalker, who is unsettled by the strength of her powers. Meanwhile, the Resistance prepares to do battle with the First Order.
I got so high before going in to see "The Last Jedi" it's a wonder I figured out how to get into the theater. We started rocking the shatter bong hardcore, just pump it, pump it, till you can actually feel your brain melting, then hit that nail and do it again and again. At some point somebody asked the question "where are we?" and while I was reflecting philosophically on the matter, somebody else pointed out that we were parked in a lot by the cineplex and we slowly realized that we were here to see 'The Last Jedi'! I could barely function at all, so I went to my old go-to routine of donning dark glasses and a white cane to help disguise my complete stonification by pretending I was just some poor blind guy stumbling around and knocking things over. I usually do this to get past security at rock concerts and it never crossed my mind that a blind guy wouldn't be able to see a movie in the first place, but it worked anyway and soon enough we were in our seats. There were these fucking kids sitting right behind us and they kept kicking my seat like little retards, kicking, kicking, kicking.... so I took the lid off my extra-large Coke and just tossed it over my shoulder. Bingo! Direct hit! The little creeps shuffled off all pissed and whining, covered in sticky cola, us laughing at them, calling them losers, it was great!

Then the movie started. The sound was awesome and everything but the screen was pretty freakin' dark I thought, could hardly make out anything. I started chanting "Turn up the brightness! Turn up the brightness!", expecting the rest of the audience to join in to my righteous chant of outrage, but then I realized I still had my Blind Guy Glasses on. Took 'em off and yup, cleared right up. There was some kind of big space battle going on so we took out our vape pens and started hoofing back lungfuls of sweet sweet shatter vapor. My girlfriend started texting me, bitching at me to pick her up some vag pads on the way home. WTF?? Get up off your fat ass and get 'em yourself I texted back. A barrage of bitchtexts followed, I was a jerk, I was an asshole and bla bla bla... I took a picture of my bare ass and sent it to her as a reply, fuckin bitch, anyway, apparently, this was considered 'indecent exposure' according to the usher-dork who wouldn't shut up about it so we had to leave the movie. We saw those stupid kids in the lobby as we were being escorted out, laughing at US, calling US 'losers'... I wanted to get back at them when they came out, even formed this elaborate plan where we would swoop down on them and soak them with freezing water this time, but we ended up just getting high again then went to Burger King.
My oldest son, as well as myself of course, wanted to watch this movie already before Christmas when it went up Geneva but it was pretty much sold out (unless you wanted to sit at the very edge of the theatre). I manage to book tickets for yesterday though so…here’s my ramblings about the movie.

As usual with these kind of movies, where there is a large following of fans, there is also many dissenting voices. Some people apparently are going as far as to want this movie to be undone. Well, my take on that is that these people need to grow up or let go or both. Luke is no longer a young farm boy running around saving the universe. The Star Wars universe and its characters are evolving and that is the way it should be and the way it is. Time for the next generation to pick up the torch.
Both me and my son really liked this movie. After the abysmal episodes I to III (Jar Jar Binks still haunts me in my dreams) I have really enjoyed the Star Wars movies.

I quite liked The Force Awakens but it is true that it felt a bit like a rehash of A New Hope. Not only does this one not feel like it is reusing old material (too much) but it also feels like it is opening a new chapter in the Star Wars universe.
The FX is as good as you have the right to expect from a Star Wars movie. The story is fresh and well developed. It will not win any Oscars of course but I liked it. It makes things evolve while at the same time giving enough room for action and a wee bit of humor.

The characters are almost all good and well played. I am looking forward to seeing more of most of them, especially, Rey and Poe. I’m not 100% convinced about Finn and Rose but I can live with them. Kylo Ren do not yet fill up the shoes of Darth Vader but he is showing promise. Contrary to Snoke I do feel he should put on a mask though.

The two characters I did not really like was General Hux and DJ. The first one was just incompetent. I’m not sure if he was supposed to be a bit of comical relief or not but, as far as I am concerned, we can do without him. DJ, well I guess he was supposed to not be liked so he did a good job of that but these kinds of assholes just frustrate me to no end. We never saw him actually meet his demise in this movie so if he is brought back I hope it will be for the sole purpose of rectifying that oversight…as violently and painfully as possible.

Of course, we saw a few new ships as well and as usual with the Empire bigger is better…or maybe not. Not sure what to say about these new designs. At least they did not look like a enlarged (except for the bridge) Star Destroyer like Darth Vader’s Super Star Destroyer.

One thing that really bugged me in the first battle though was the rebels’ so called “bombers”. What kind of bloody moron designed those? They were just so wrong in so many ways. The design itself was just silly looking. They were slower than a flee on a patch of tar. Seriously, a space bomber that crawls along? Actually, why make a “bomber” in space at all? That brings us to the biggest gripe of them all with this ludicrous design…dropping bombs vertically? In space? How the fuck do they fall?

Sure they looked somewhat cool when they dropped their bombs…if your knowledge of physics is on the level of your average politician (and obviously a few Hollywood employees as well).

Anyway, on the whole me and my son had two and a half hours of great fun watching The Last Jedi. I hope the next movie expands on the threads this one started. I have to say that I was a bit sorry about the feeble state of the resistance at the end, so I do hope the next writer will not let this drag on. One way to ruin Star Wars for me would be to turn Star Wars into some Battlestar Galactica variant with resistance survivors on constant run from the empire. Now it is time for the resistance to strike back, and for Rey to evolve her Jedi powers.
There is so much to love about _The Last Jedi_. I was very entertained watching this 8th _Star Wars_ saga film, I'll see it again, there's some truly beautiful scenes, all that jazz. But I am not fully on board with _The Last Jedi_. The film is a fun watch, and if you were to take it as a whole, then place it in a bubble, it's a pretty good movie too, but a lot about it is... Pointless. I'm not saying the movie was pointless, it has a lot to offer, and deserves its place as Episode VIII, but there are moments started within _The Last Jedi_ that end up being pointless by the time the credits roll, and more than that, it goes back to ideas from the _Star Wars_ saga as a whole, and makes them pointless too.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Really disappointing. Our heroes of Star Wars have essentially wasted their lives and achieved nothing.

We were promised sequels and got a retread. I for one would have loved to see the building of the Galactic Republic against terrorists of the Imperial Remnant. Instead, we got Failure Luke, Failure Leah, gone nowhere Chewie and a rebel alliance that appeared to entirely fail to do anything meaningful after episode 6.

I actually have less difficulty accepting 1,2 and 3 into canon then I do this pap. My headcanon has already decided, these movies do not count.
The Last Jedi started with a very tense emotion, capturing all viewers' attention tightly including mine (I've seen all movie episodes of Star Wars series so this type of scenario should look familiar to me).

This tense and epic feeling filled the entire film, so even it is a bit lengthy, people won't sleep over :) however, the scenes involving Rey and Luke on the isolated island planet look super quiet and mindful. It was similar to the scene in previous episode when Luke was seeking help from the Yoda Master. However, it felt more complex, because never had Yoda been described being evil, not a bit.

One tiny detail that I felt redundant and unconvincing was the reincarnation of Leia Princess. How did she fly back to the ship? As far as I can tell, no reason is given in the film. This lets you suspect whether she was going to be who can command the Force like a Jedi, but well all you can do is just suspecting.

Another critical option that I had to express was about the role of Kylo Ren. He is a complex character, and I am not sure that he believed in until the very end of the story. The climax of this complexity arrived at the scene when he killed Snoke and fought along with Rey, trying to persuading her to come for *a new world*. But this complexity simply came and disappeared. The story continued in the old way and our powerless always furious Ben Solo kept playing a simpleton role of any typical bad guy. The role is depicted as, adequately complex, but not consistent and lively enough (compared to the former Lord Darth Vader).
Star Wars: The Last Jedi – This Is Not The Film You’re Looking For

Star Wars: The Force Awakens kicked off the Sequel Trilogy and many proclaimed the movie has returned Star Wars back to form. Though the plot of the movie is literally the same as A New Hope, The Force Awakens invoked mysticism of the characters and plot elements and raised numerous unanswered questions that would hopefully be answered in the next installment. Star Wars: The Last Jedi follows directly after the events of Star Wars: The Force Awakens and though the film attempts to hurl the Star Wars franchise into newer territory, the Last Jedi is a visually stunning spectacle that managed to undermine everything established in The Force Awakens and does great deal of disservice to our legacy characters.

Rey – Overpowered?

One of the biggest gripes I had with The Force Awakens was that Rey was insanely good at just about everything. She beat Kylo Ren, an experienced Force user, with no Force/lightsaber training, performed a Jedi mind trick with ease, flew the Millennium Falcon with little trouble, and managed to stop Kylo Ren from probing her mind. We were introduced to the mystery of Rey’s parents and her strength with the Force, neither of which are addressed in The Last Jedi. A relatively short passage of time occurs between films and Rey is even more overpowered than ever, receiving absolutely no training from Luke and she bests him (a Jedi Master!) in combat with no explanation as to how she is so strong with the Force. Luke in the Original Trilogy started off as a farm boy who has no knowledge of the Force until Obi-Wan teaches him about it. He received training by Yoda and failed miserably at combating Darth Vader, losing a hand and his lightsaber in the process. By the time of Return of the Jedi, Luke is established as being an experienced Force user who constructed a new lightsaber and is able to perform Jedi mind tricks. Rey, on the other hand, shows no signs of struggle and easily manages to lift boulders by the end of the film (Luke struggled to even concentrate and lift a small amount of rocks when training with Yoda). The film offers no attempt to address Rey’s Force strength and we’re left with having to accept she’s strong for no reason. Had there been a much longer passage of time between films, then it would be a bit more acceptable. However, her unanswered strength in the Force further solidifies the fact that she is overpowered. Rian Johnson has set her overpowered nature in stone and doesn’t leave much room for her character to grow and develop in Episode IX. All that we can expect for Episode IX is another showdown between Kylo Ren and Rey and it’s obvious that Rey will win.

Finn & Rose – The Canto Bight Tales

Finn was established in The Force Awakens as a former First Order Stormtrooper that became disillusioned with the First Order and decides to flee, getting as far away from the First Order as possible. Finn decides to stop running away when Rey gets captured by Kylo Ren, overcoming his fears and decides to take charge in rescuing her. He even directly battles Kylo Ren at the end, though he is easily defeated and severely injured. His character (and his arc) is tossed aside in The Last Jedi, delegated to being just a side character of no importance to the film’s plot. Finn is paired up with Rose (who’s just as bad as Jar Jar Binks) and go on a mission to Canto Bight to look for a master codebreaker to disable the First Order’s hyperspace tracker. The Canto Bight segment is easily the worst portion of the film that drives the pacing to a screeching halt, offers nothing of importance to the overall plot and results in no actual payoff. Finn and Rose conveniently find a hacker (DJ) when jailed for a parking ticket and manage to escape, freeing numerous abused horse-like animals in the process but leaving the slave children behind. When on board Snoke’s flagship, they are caught by the First Order and DJ reveals he tipped the First Order to save his own skin and for a monetary reward (So unexpected!). Finn battles with Captain Phasma, who is quickly discarded and they steal a transport to Crait. During the Battle of Crait, Finn is given a tremendous moment to shine as a hero when he decides to sacrifice himself by flying the vessel directly into the Death Star-like battering ram, but is pushed out of the way by Rose who delivers a cringe-worthy line of “saving what we love.” This moment will forever solidify Rose as the worst Star Wars character and steals Finn’s moment of glory. His sacrifice would have given Finn a solid character arc from a cowardly First Order deserter to being a heroic figure who gave his life to save others. Rose’s idiotic choice could have resulted in the First Order wiping out the Resistance and she will always be remembered as the character that managed to be worse than Jar Jar Binks.

Poe v Holdo – Dawn of the SJW

Poe Dameron is an exceptionally skilled pilot that planned a calculated attack on the First Order Dreadnought and though his plan to destroy the Dreadnought resulted in numerous Resistance casualties, Poe is successful at destroying the Dreadnought, but is immediately demoted by General Organa (Leia) and command is given to Vice Admiral Holdo (Purple Haired SJW). Poe knew the risks of war and deemed it necessary at the moment to destroy the Dreadnought and had he not acted on his gut instinct, the Resistance would have been completely obliterated. Instead, he is treated like he’s a bumbling idiot and Holdo refused to even notify Poe of the plan with the escape pods. It honestly feels as if this film has an SJW/Feminist agenda that strongly attempts to make the male characters (Poe, Hux, Kylo Ren, etc.) as nothing but idiots and elevates the women to a level of superiority. Politics will always have a place in the Star Wars franchise (the Prequels were built upon a politically driven foundation), but not in this shape or form. Even though Poe’s plan of destroying the Dreadnought was successful and allowed for the Resistance to escape, he is seen as unhinged and acting out of line by Holdo, never once acknowledging Poe for his heroic action of practically saving the Resistance. Poe is denied the opportunity of being the heroic figure, but it was perfectly acceptable for Holdo to sacrifice herself by flying the Resistance cruiser through Snoke’s ship. Holdo did nothing memorable to deserve a heroic sacrifice and it’s absolutely disgraceful that Poe’s character is painted as this unhinged, reckless pilot who is made out to be an idiot for his actions. Poe deserved a much better character progression in this film. As for Holdo, she was placed in this film for the sake of having a woman be in charge for no apparent reason other than to drive the fact that the man (Poe) is an “idiot” and the woman (Holdo) is the “superior, intelligent figure.”

Snoke – In The End, It Doesn’t Matter

Supreme Leader Snoke was set up to be the mastermind pulling the strings of the First Order and the next main villain after Palpatine. He is portrayed as a mysterious, disfigured individual who’s strong with the Force and swayed Ben Solo to the Dark Side. In The Last Jedi, he is seen dressed in golden robes in a red throne room and his royal Praetorian Guards protecting him. He displays a tremendous amount of strength in the Force by conjuring Force lighting directly into the ground and sending Kylo Ren flying back and suspending Rey in the air in an intensely painful Force grip. He even was able to merge the minds of Kylo Ren and Rey together across the galaxy using the Force. He was set up to be this figure who’s just as powerful and intimidating as Palpatine. But alas, Snoke is immediately discarded in the film and dies in a very unsatisfying manner. Who he is, where he came from and how he rose to power no longer matter: He’s just an extremely powerful and disfigured individual with no provided background information. Snoke decides it’s smart to place Luke’s lightsaber on the throne’s arm rest and continues to taunt and insult Kylo Ren with Rey on the floor. He orders Kylo Ren to kill Rey and gloats that he knows what Kylo Ren is thinking. However, Kylo Ren slowly moves Luke’s lightsaber towards Snoke with the Force (How Snoke or none of the Praetorian Guards notice is beyond comprehension). He then ignites the lightsaber, which impales Snoke and is then cut in half, the top half of his body tumbling to the floor. His death also puts the numerous fan theories to death. Snoke no longer matters.

Kylo Ren – Still Throwing Tantrums

One of the best aspects of the film is not Luke Skywalker: it’s Kylo Ren. Right off from the start, Kylo Ren is insulted and scolded by Snoke, which causes Kylo Ren to leave the throne room and smash his mask into pieces. Kylo Ren is still shown to struggle with the Dark Side and when the opportunity comes to blow up the command bridge Leia is on, he hesitates and decides against killing his own mother. Kylo Ren seemed to solidify his status as a villain in The Force Awakens when he killed Han Solo and in this film, he questions his own intentions and through his Force communication with Rey, the idea that Kylo Ren could be redeemed is brought into question. It’s a very interesting idea seeing Kylo Ren possibly turning back to the Light Side. The team-up between Rey and Kylo Ren was also another well-done idea that showed Rey realizing that she could possibly bring Kylo Ren back to the Light. Rey decides to see Kylo Ren in an attempt to turn him away from the Dark Side, then it’s revealed that Snoke manipulated the Force between them to lure Rey to him. After Kylo Ren kills Snoke with Luke’s lightsaber, Rey and Kylo Ren team up with each other and take on the Praetorian Guards in one of the greatest combat sequences in all of Star Wars. Kylo Ren is able to easily defeat many of the Praetorian Guards and when it seems that Kylo Ren will turn away from the Dark Side, he asks Rey to join him by his side. Disillusioned by the fact that Kylo Ren just wanted to overthrow Snoke and assume leadership of the First Order, Rey and Kylo Ren engage in battle and destroy Luke’s lightsaber in the process. The idea of establishing Kylo Ren as the main villain of the Sequel Trilogy is quite intriguing and allows for more room to develop Kylo Ren into the ultimate villain, though it came at the cost of killing off Snoke. Overall, Kylo Ren is a very solid character with a more defined vision of being the leader of the First Order.

Leia Organa-Skywalker – I’m Mary Poppins, Y’all!

Sadly, this film marks Carrie Fisher’s final film appearance due to her death in late 2016. It was great to see more Leia in this film, though her role is largely downplayed and does not get a moment to shine like Luke and Han. Leia has been shown in past films to be Force-sensitive, but the way this film portrays her Force abilities is beyond terrible. After the command ship’s bridge is blown up, Leia gets sucked out into the vacuum of space and is assumed to be dead. However, she opens her eyes and is shown to have actually survived. She reaches out her hand and proceeds to literally fly towards the main Resistance cruiser that makes her Mary Poppins in space. We all knew Leia was Force-sensitive, but the way her Force abilities were portrayed was executed horribly. No one talks about or brings up Leia surviving while in space and Leia herself doesn’t even speak about it at all for the remainder of the film. She is hospitalized on the ship and command is then given not to Poe, but to Vice Admiral Purple Hair. Prior to her Mary Poppins moment, Leia berates Poe for his successful plan in destroying the Dreadnought and demotes him on the spot. Why is Leia so upset over Poe’s plan? Poe knew the risks in launching the attack and his plan resulted in the destruction of the Dreadnought and possibly killed thousands of First Order members. Leia and Holdo seemed to just team up on Poe, labeling him an idiot for launching a successful attack. Despite these issues, Leia should have been the one to fly the cruiser directly through Snoke’s flagship, it would have been the honorable way to send off Leia, allowing her to have a truly shining moment. Her Mary Poppins Force moment absolutely defies how the Force works. With the death of Carrie Fisher, her final performance as Leia ends on a quite dim note and she deserved a much better send-off.

Luke Skywalker – This Isn’t The Jedi You’re Looking For

After the cliffhanger of Rey handing Luke his blue lightsaber on Ahch-To, the fan base was eager with joy on what direction the story will go with the reveal of Luke Skywalker. Luke holds his original lightsaber and has a look of mixed emotions, then the unexpected happens: Luke throws the lightsaber over his shoulder and storms off. What should have been an epic moment in Star Wars history was turned into a moment for a cheap laugh. I take this scene as a metaphor for The Last Jedi: J.J. Abrams handing over The Force Awakens to Rian Johnson, who proceeds to throw out just about everything established in The Force Awakens for the sake of being “different” just because. Though I praise Mark Hamill’s epic performance as Luke Skywalker and honestly love Luke’s portrayal, the direction they placed for Luke was severely underwhelming. Luke reveals he traveled to Ahch-To for the sole purpose of wanting to die, which goes against what Han said about him seeking out the first Jedi Temple. So what was the point of the map in the previous film if he didn’t want to be found? Then in a flashback, he actually considered killing his own nephew at night by creepily sneaking into his hut and probing his mind, then discovers a lot of darkness and corruption by Snoke. So instead of confronting his nephew during the day, he considers killing him in his sleep? This is the same Luke that sensed the good in his father Darth Vader and personally went on a mission to bring his father back to the Light, of which he ultimately succeeds. Yet, because he probed Ben Solo’s mind and saw darkness, Luke deemed it necessary to just flat-out murder his nephew? This felt extremely out of character for Luke to even consider doing such a thing. This is also the same Luke that went out of his way to save the Rebellion, fought alongside the Rebellion, and played a major role in the Empire’s defeat. Then in this Sequel Trilogy, he gives up and lives in isolation after the massacre of his Jedi Academy, doesn’t seem to care at all about the rising threat of the First Order, and shuts himself off from the Force. Later in the movie, he has a change of heart and appears on Crait, walking directly towards the army of AT-M6s, AT-ATs, and AT-STs. He and Kylo Ren duel, though Luke doesn’t swing his lightsaber once and simply dodges all of Kylo Ren’s hits. Kylo Ren impales and slices Luke, but nothing happens and in a “twist”, Luke is revealed to be Force projecting himself and did not leave Ahch-To at all. He fades away from the battle, leaving behind a furious Kylo Ren. At the end of the film, Luke stumbles over on the rocks he was sitting on and looks out into the horizon, sees two suns (reminiscent of A New Hope) and dies, becoming one with the Force. Though I praise the idea of using a Force projection, it does a great disservice to Luke Skywalker’s character and undermines his character’s growth from the Original Trilogy. Luke should have physically appeared on Crait and demonstrated his vast strength in the Force by easily destroying the artillery and engaging in a fierce duel with Kylo Ren, but ultimately loses and is struck down by his nephew. That would have given tremendous emotional depth to Luke and be a showcase on how far along Luke has grown with the Force.

Other Bad Moments In The Last Jedi

Like all Star Wars films, The Last Jedi features a lot of flaws and some very questionable moments that don’t do this movie any justice:
- Humor has a place in Star Wars, but not to the point of distorting the tone of the film, making it seem like a Marvel film (ex. Poe trolling Hux at the beginning of the film was cringe-worthy and feels out-of-place).
- General Hux was honestly a sinister figure in The Force Awakens. He is turned into a complete incompetent fool in this film and is oblivious to the fact he’s being prank called by Poe.
- Captain Phasma was again underutilized and despite putting up a strong fight against Finn, she is quickly killed off. What was the point of bringing back Phasma?
- Canto Bight killed the pacing of the film and resulted in no beneficial pay-off to the movie’s overall plot.
- Rose preaches about the rich being bad people for selling weapons to the First Order and feels the need to preach about the abuse the race animals face, yet offers no sympathy at all to the slave children.
- The final scene featuring the young slave child using the Force to pull the broom gives the idea that anyone can use the Force with no training whatsoever.
- Luke doesn’t seem to react at all when he learns of Han Solo’s death.
- No Knights of Ren in this film, not even a mention or any clue as to their whereabouts.

Other Great Moments In The Last Jedi

Despite the numerous issues that plague this film, The Last Jedi features a lot of great moments that truly shine:
- The opening scene and subsequent assault on the Dreadnought was very action-packed and felt like a true Star Wars film
- The final battle on Crait, though highly reminiscent of the Battle of Hoth, was phenomenal and the idea of using a Death Star-like battering ram was well-executed.
- Snoke’s throne room battle between the Praetorian Guards against Rey and Kylo Ren is honestly one of the greatest battles in all of Star Wars. It was well-choreographed, tense, and demonstrated how powerful a team Rey and Kylo Ren make.
- Finn and Captain Phasma’s battle was spectacular and seeing Phasma deflect a blaster shot with her armor was amazing.
- Rey and Kylo Ren’s Force communication added much needed development to both characters and added a layer of depth to their own motivations.
- Luke’s interactions with Rey were well-done, especially when Rey literally reaches her hand out to the Force, Luke plays along and brushes a leaf against her hand.
- Chewbacca feasting on a Porg and a group of Porgs look at him with fear in their eyes.
- Luke seeing R2-D2 on board the Millennium Falcon and R2-D2 plays the original message by Leia.
- Yoda’s appearance as a Force ghost and knocking some sense into Luke.
- Holdo flying the Resistance cruiser through hyperspace at Snoke’s flagship, resulting in the destruction of numerous First Order ships.
- Luke confronting the First Order on Crait, of which Kylo Ren orders them to fire at Luke with all their artillery. Luke walks out of the smoke undamaged and dusts his shoulder off.

Closing Comments

Despite the film having moments of greatness scattered throughout its runtime, The Last Jedi is heavy on flaws that are magnified as the film progresses. The film seems to take the quote “Let the past die, kill it if you have to” to heart and literally kills the history of what’s came before, especially The Force Awakens. Just about everything established in The Force Awakens is simply swept under the rug. The end of the film places the Resistance back to the same state the Rebellion was at in A New Hope. Why is this new trilogy just simply repeating the past? Though Rian Johnson is a fantastic director, he simply does not work for Star Wars and proves with The Last Jedi he has no understanding of how Star Wars works, especially with regards to the Force. The Force is treated more like a superpower that anyone can attain with no training required. The Last Jedi is far from being the worst Star Wars film, but is still far from being the best. J.J. Abrams is slated to return to the franchise to direct Episode IX and will attempt to fix the mess that Rian Johnson left behind with this new trilogy. Help us, J.J. Abrams. You’re our only hope.

Rating: 6/10
Completely obliterates established Star Wars lore.

The writers of this film have no respect for Star Wars nor do they have an imaginative bone in their body. I felt like I was watching a shonen jump anime with the overuse of comic relief and usually placed in the most awkward moments. It was a desperate attempt to copy Marvel movie writers and failing miserably. The way they presented Luke Skywalker was an abomination and the story of the film was just plain boring and didn't make sense in so many places that listing it here would be so long that it would put you to sleep. I had to watch the film in 3 sittings it was so bad. Disney has now properly fucked Star Wars.
The last jedi is clearly the last SW movie I`ll ever see. Everything was bad. Story, casting, acting, CGI, everything.. I just want my 2 hours back.. please..
"Not the best but certainly the most overhyped"

As the Rebellion tries to evade The First Order, Rey asks Luke Skywalker to teach her the ways of the Force. Meanwhile Kylo Ren is still a whiny POS.

Director/writer Rian Johnson faced a gargantuan task. Two years ago J.J. Abrams did the impossible by making a successful sequel to ‘Star Wars’. Johnson had to follow that up with something more creative because let’s be honest, ‘The Force Awakens’ (TFA) was a copy. He succeeds partially.

When the movie started there were cheers. It doesn’t get any better than the iconic opening crawl with John Williams’ score. Although there’s a certain resemblance to ‘The Empire Strikes Back’ (opening scene, Luke on the remote planet) ‘The last Jedi’ isn’t a copy. Johnson has came up with a more or less original story with new characters and some twists.
However, the problem with some of the new characters is that they get too much screen time while contributing nothing to the story. In some cases up to the point where they’re just plain annoying. Benicio Del Toro anyone? Meanwhile we find out nothing new about the characters we got to know in ‘TFA’. Rey, Finn & Dameron still feel new.

The villains are another problem. The most iconic part about ‘Star Wars’ has always been the villains. Darth Vader is an icon. Emperor Palpatine and Darth Maul were also quite impressive. Without spoiling anything I think it’s safe to say Kylo Ren (who’s still suffering from huge mommy and daddy issues), Supreme Leader Snoke & General Hux are terribly underwhelming.

That of course doesn’t mean it’s a bad movie. Although it runs too long it entertains. The effects and choreography are top notch and the overall look of the film is stunning. DOP Steve Yedlin does a fine job. The final battle looks amazing ( the red stripes on the salt plains). Although there’s a bit too much humor for our liking, there’s some genuine funny moments. The Porgs have a bright future ahead of them marketingwise.
Of course there’s the nostalgia factor. It’s great to see those familiar faces again and the sound of lightsabres and TIE fighters are music to our ears.

On the other hand it’s obvious Johnson and Disney want to go down a new path. Whether that path is the right one remains to be seen. With the announcement of a new trilogy coming up it feels like they’re milking it. And you can take that literally. What’s up with that milk scene? Cringeworthy.

The biggest problem is that ‘The Last Jedi’ is incredibly hyped. There are reviews that say the movie is dark and that it’s the best since ‘The Empire Strikes Back’. I know opinions can differ but it doesn’t come close to any of the original trilogy.
This one killed the franchise! I have been watching Star Wars movies since they started literally, going to the theater and enjoying the fun. Love the original three. Liked the prequels well enough. I even enjoyed the cute little Ewok movies, with the kids.

These later films have been a mixed bag. Most were watchable enough, though not really the caliber of the old films Sure, the effects are great, but a good movie needs more than special effects and cool alien makeup and some fun droids.

This movie was seriously disappointing. Everything about familiar characters was changed, and the plot was so busy with pushing some weird agenda that it failed to deliver any of what we go to a Star Wars movie to see. At this stage, I couldn't care less about the newer characters, and the whole "Mary Sue" aspect to the one main girl (see, I can't even recall her name!) is just annoying. This film w bad enough that the dedicated SW fanboy in my household just quit watching, and actualy, for the first time ever, skipped the following movie entirely.

So, congrats, Disney; you killed one of the most successful franchises ever.
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Finally, I managed to watch one of my most anticipated movies of 2017! I am an authentic fanboy of the Star Wars saga and I loved its return two years ago when The Force Awakens was released. Everything looked better, sounded better and the story certainly didn't disappoint me. So, obviously, I was extremely looking forward to The Last Jedi.

Apparently, critics love Episode VIII but fans not so much. Me, well ... I don't LOVE it, but I do enjoy it very much. I do think it is a bit below the previous film's overall quality since it definitely has some issues the first one did not. I am also confident that I know why the fans are not loving this movie and I will explain that after a few paragraphs.

This time, I am going to start at the other side of the spectrum. I will begin my review with the film's problems because I do need to get them out of my mind, especially this one ... The subplot involving Finn (John Boyega), Rose (Kelly Marie Tran) and DJ (Benicio Del Toro), some of the few new characters added to the franchise, completely ruins the movie's pacing and its narrative is such a tremendous deviation from the main story. It is, by far, the worst issue I have with the screenplay because it does not work as one single problem ... It creates a whole other set of them.

The first act's pacing is really fast since it starts with tons of action sequences. However, the second act decreases the rhythm and it is more story-driven, full of mystery-unlocking and character-development scenes. Finn and Rose's nonsense adventure just turns everything slower and even strange. It ends up needlessly extending the runtime (the film could have easily been 15min shorter) and worse ... Possibly creating a love triangle with Rey (I am not even going to discuss this).

Apart from this major issue(s), I have some minor problems. General Hux (Domhnall Gleeson) is a strong candidate to become the most annoying character in this new-generation trilogy. Gleeson is fine, he actually achieves a good over-the-top performance, but his character is just tumbling off the rails. Also, on a more technical aspect, the writing does not flow as well as it did on J.J. Abrams' screenplay. There are a lot more exposition scenes which also does not help the pacing at all.

I wrote earlier about the fans' reasons for them to be disappointed and well, the marketing for the movie did not lie: they do take a lot of chances with this one. Rian Johnson delivers a lot of twists and shocks throughout the whole runtime and it is impossible to assume that every single one of them is going to be mind-blowing and unanimously accepted. I do not want to give anything away from the plot, so I am just going to write that most of the choices and paths they choose for each character, I either simply accept them or I truly love them. As for the rest, I am, at most, underwhelmed (yet, I trust and understand the decisions they went with).

People need to learn how to deal with their own expectations. If you expect something utterly absurd and nonsensical to occur and then it does not, you can't blame the film for not following your crazy idea. So, please, don't start blabbing any movie is bad or disappointing because it didn't fulfill your ridiculously high expectations. Even if they are grounded and thoughtful, you have to embrace the production's approach to the character/story. If it makes sense, then it is as valid as any other theory. It might be underwhelming if you have high expectations, but it is still a serious take on whatever you are thinking.

This is why I think fans are not loving The Last Jedi. The production takes a lot of risks and some of them don't work with everyone, mostly due to fans' radical theories that don't have a place in the film. I think most people might change their initial opinion after a second viewing, myself included. Some things just need more time to process or even a whole rewatch. Since I do not have time to do it before the year's end, I am going with what I have.

Switching to the light side (hehe), I do enjoy this movie a lot. Every cast member that was great in Episode VII, transcends themselves in this one. Daisy Ridley is superb as Rey. She has such a massive range of expressions and I am sure her successful future as an actress is surely guaranteed. From the most emotional and somber moments to the most epic action scenes, she is awesome. Her character's mysterious backstory reaches a whole new extent and her interactions with Kylo Ren (Adam Driver) and Luke Skywalker inflict chills all over my body.

Mark Hamill's comeback can't be any more amazing than it is. He delivers a fantastic, emotion-full and very compelling performance. It is even more unbelievable knowing that Hamill had strong personal arguments against the director's interpretation of what was better for Luke. If he is this astounding working against his own idea of who his character really is, then I must praise his exemplary working principles.

Luke and Rey spend a big chunk of the runtime training on an unknown island and I love every single second filmed on that piece of land. I have to admit that I am a bit frustrated because I think the film should have more time with these two, but due to the issues mentioned in the beginning of my review, the runtime can't be much more stretched. I love what they did with Luke, even if some fans are going to go insane with his journey.

Adam Driver as Kylo Ren ... The undoubtful star of the whole show. Driver is becoming a menace to every actor working today because he is flawless. He has a powerful, dark, mysterious, compelling and commanding display as one of the most complex and multi-layered characters of the Star Wars saga. Ren's conflict inside his mind and heart is the most captivating feature of his story and his interactions with Rey are so jaw-dropping spectacular that I can't even describe them properly.

John Boyega is once again great as Finn, even though he is part of that horrible subplot. Boyega delivers a convincing performance and Finn shines through some awesome action set pieces. Kelly Marie Tran is actually good as Rose, it is just a pity that her character suffers from the narrative, even though her backstory is pretty touching. Chewbacca (Joonas Suotamo) and the Porgs, the new cute animals implemented in the Star Wars universe, have all the funny scenes plus some action here and there.

Oscar Isaac is quite lucky because Poe Dameron unquestionably has the best subplot of the movie. Isaac offers a very passionate display as Poe goes through some significant character development. His impulsive instincts to attack the bad guys always have consequences and he is put in check by Leia (Carrie Fisher) during the whole time. It is a very interesting and twistful story that elevates the film's main plot.

Carrie Fisher is elegant and beautiful as Leia, a character that has a lot more screentime than what I expected. I always love seeing Fisher on the screen and she makes everything a bit more realistic to me. Andy Serkis is remarkable as Supreme Leader Snoke, but his character is yet another plot's detail that fans are not going to appreciate so much. I still feel underwhelmed by Snoke in this movie for several reasons, but after some thinking, I do understand his role in the film and his moments are indeed intimidating and dominant.

Rian Johnson work as the director is better than him as the writer. The visuals effects continue to be wonderful and the practical settings are beautiful, once again, there is a lot less CGI than you probably think. Excellent cinematography and the John Williams' score induces enormous levels of nostalgia and excitement. The action sequences are mind-blowing, the stunt work is phenomenal and there are tons of pure epic and awesome scenes.

The main plot includes a very dark and mysterious side to it that I thoroughly love. A lot of unexpected twists and turns make The Last Jedi more original than The Force Awakens, even if one or two plot points might be underwhelming, and it also has a very well balanced tone. Finally, a thrilling, breathtaking, action-heavy third act ends the film with magnificent glory and with many heartfelt moments.

All in all, Star Wars: The Last Jedi delivers something that I can be proud of experiencing. Terrific performances from the cast, but a flawlessly powerful display from Adam Driver as Kylo Ren steals the spotlight. Rian Johnson takes a lot of risks with decisions that will make the fanbase debate for years and while I find most of them truly jaw-dropping, a few left me underwhelmed. The main story keeps its obscure mystery while packing some jaw-dropping, epic action sequences and excellent character-development scenes. Nevertheless, it departs from JJ’s visual storytelling, delivering a more exposition-heavy screenplay and some pacing issues bring the movie down, largely due to the unnecessary detour of the subplot involving Finn and Rose. In the end, it still belongs to my top half of the saga, fighting for the 4th spot with Return Of The Jedi and Rogue One.

Rating: B+



剧组人员

協調美術系 : Dupré Riya

特技協調員 : Dilan Dorothy
Skript Aufteilung :Alifa Aymon

附圖片 : Laiha Laima
Co-Produzent : Batool Suzann

執行製片人 : Megan Orna

監督藝術總監 : Estes Palmade

產生 : Niam Shelley
Hersteller : Éline Eloisee

播放机 : Seigner Pieter



Film kurz

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分類 : 時代電影 - 婦女, 生活 - 夏季, 色情 - 宗教

生產國 : 朝鮮

生產 : Mozus Productions



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Star Wars: The Last Jedi 埃斯特(數學)遠足-保真度 |電影院|長片由電視混蛋和 SF Production Adjani Leïna aus dem Jahre 2014 mit Mendoza Rashid und Damario Susong in den major role, der in Edipim Group und im America Undercover 意 世界。 電影史是從 Tarde Schérer 製造並在 Zing Factory 大會岡比亞 在 5 。 三月 四月 2004 在1 。 三月 四月2012.